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Cat. No. CHAN 0782 Price: 10.5 No. of discs: 1
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CHAN 0782 - Chamber Vespers: Miniature Masterpieces of the Italian Baroque
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Available From: 15 August 2011
Chamber Vespers: Miniature Masterpieces of the Italian Baroque

The Divine Vespers, a service of evening prayer in the Roman-Catholic Church, has provided both occasion and inspiration for some of the most sumptuous music ever composed. But not many churches in the seventeenth century could afford the lavish instrumental and vocal resources needed to play the likes of Monteverdi’s grandiose Vespro della Beata Vergine. For many of the smaller and more provincial churches, an acceptable compromise at evening service was the playing of smaller-scale sacred chamber music. This led in the seventeenth century to a tremendous outpouring of sacred music for small groups of singers and instrumentalists, as performed by The Gonzaga Band on this disc.

During Vespers, it became commonplace to alternate the obligatory psalms with a number of extra-liturgical instrumental pieces. This recording follows the same structure. The psalms, by Banchieri, Finetti, Petrobelli, and Monferrato, are complemented and framed by a variety of joyous instrumental works by Tarditi, Cima, Piccinini, Frescobaldi, Crotti, Sances, and Cazzati.

The Gonzaga Band was formed by the cornettist Jamie Savan in 1997 to explore historical approaches to the performance of vocal and instrumental music of the sixteenth and seventeenth centuries. Its line-up is project led: the very best vocalists and period instrumentalists are ‘hand picked’ according to the specialist requirements of each programme. On this recording, The Gonzaga Band is joined by the mezzo-soprano Clare Wilkinson and cornettist Gawain Glenton. 
 

Reviews

“...Not only is this music lovely, but the performers are adept at drawing out its affects, shaping pieces with exciting ornaments and varied dynamics. The cornets (Jamie Savan and Gawain Glenton) blend well with the voices, as is traditional, and we also get to hear them on their own as soloists. Clare Wilkinson sounds wonderful in the early-baroque repertory-her voice is very supple and so the ornaments come out easily. I have heard her perform Renaissance frottolas and laudas with Robert Meunier (lute) on a release title Vergine Bella (CHAN 0683) ... her effort her is just as fine.”
Loewen – American Record Guide – March/April 2012

“Subtle charm, intelligence, commitment and clever programming.”
Robert Hugill – Musicweb-international.com – December 2011

"...Soprano Faye Newton is heard to best effect in the quieter interludes of pieces such as Banchieri’s Magnificat, where she crafts and paces her phrases to perfection ... Clare Wilkinson is an ideal duetting partner ... There is dazzling cornetto playing from Jamie Savan and Gawain Glenton,  ..." ****
Adrian Horsewood - Early Music Today magazine - December 2011-February 2012

“...Hot stuff at the local parish. The idea of presenting music designed to attract 17th centuary congregations at a local level is strong. The execution ... is excellent. ****
Rick Jones – Classic FM Magazine – November 2011


"A wealth of great invention and craftsmanship to be appreciated."

Graham Rogers - BBC Review - 8 September 2011

 

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