Shopping Basket
Cat. No. CHAN 10748 Price: £10.5 No. of discs: 1
CD Logo
CHAN 10748 - Weber: Orchestral Works
Download Hi-Res Artwork
Download Booklet as a PDF
This product is also available as a download from
We are currently in the process of launching our new web site, until this goes live:
please order this CD directly from our sales team: (+44)01206 225200

Audio Sample

These releases may also interest you:-

Black Dyke Plays Overtures:
CHAN 4514(*)
150 Years Of Black Dyke:
CHAN 4516(*)
Schubert / Weber / Schumann: Works for Piano and Clarinet:
CHAN 8506(*)
Weber: Five Overtures:
CHAN 8766(*)

Available From: 01 October 2012

Chandos CHAN 10748

Weber: Invitation to the Dance (orch. Berlioz); Symphonies Nos. 1 and 2; Bassoon Concerto - Karen Geoghegan (bassoon), BBC Philharmonic, Juanjo Mena

This is the fourth release by the BBC Philharmonic under its Chief Conductor, Juanjo Mena, and the discography is going from strength to strength – their recording of orchestral works by Falla was ‘Recording on the Month’ in BBC Music. They are joined on this recording by the bassoonist Karen Geoghegan.

Weber wrote the waltz Aufforderung zum Tanze (Invitation to the Dance) in 1819, around the time when he was also working on the opera Der Freischütz. The two works crossed paths once more, in 1841, when the latter was performed at the Opéra de Paris. Berlioz had been commissioned to orchestrate Aufforderung zum Tanze so that it could be incorporated into the opera, and he did so by melding Weber’s polished and elegant original with his own sound world, with customary panache. It is the version included on this disc.

Also featured are Weber’s Symphonies Nos. 1 and 2. That these works should be so neglected is partly down to historical accident; they were composed just four years after Beethoven’s monumental ‘Eroica’ Symphony, the work which ditched the rulebook once and for all, and which turned the genre from classical perfection into a personal musical manifesto. So when Weber’s symphonies saw the light of day, overshadowed by the great master, no one took much notice. However, these works are brimming with melody and invention and are unfailingly entertaining.

Also on this disc is the composer’s Bassoon Concerto. Much of the work’s appeal derives from Weber’s ear for sonority, and in particular the dark-hued palette natural to the bassoon. The finale has the bassoon playing a jester of great agility, yet with enough elegant touches to dispel any clichéd ideas of the instrument as a figure of fun. The movement builds to an assured and almost reckless virtuoso ending. Karen Geoghegan is the soloist in this work. Gramophone said of this young artist that ‘lyrical, mellifluous playing seems to come as naturally as wit and charm’.


 "...Highly recommended."
Scott Noriega - Fanfare - May/June 2013

                             Performance ****           Recording *****

“...The Bassoon Concerto is eloquently played, but the most enjoyable item is Berlioz’s arrangement of the solo piano Invitation to the Dance: he manages both to be faithful to the composer’s spirit, and to be utterly himself in his brilliant orchestration. The performances are pretty  astringent, Juanjo Mena persuading the BBC Philharmonic to play as if they were a period orchestra, with wiry lean string tone and rasping woodwind.”
Michael Tanner – BBC Music magazine – April 2013 

 "...They [the symphonies] make genial listening and the BBC philharmonic under Juanjo Mena provide an interesting programme, beginning with invitation to the dance orchestrated by Berlioz, and between the symphonies Karen Geoghegan plays the bassoon concerto, Chandos do well to give us this near forgotten repertoire."
Peter Spaull - Liverpool Daily Post - 20 December 2012

"... superbly prepared, played and recorded ...  A winner."
Mike Ashman - Gramophone magazine - January 2013

“...These are lively, virtuoso performances of works of considerable originality in compostion ... Karen Geoghegan gives a delightful performance of a work (Bassoon Concerto) that respects the innately lyrical tone of the instrument, and fills the finale with wit while avoiding any clowning ..”
John Warrack – International Record Review – December 2012


Home : Classical Music Special Offers [Competitions] : Search [Browse : Catalogue : Advanced] : Your Account
Contact [Email Us : Call Us : Write To Us] :
Help [Troubleshooting : How To Order : Music Licensing.]
: The Site Map : Web Links: Complete Listing
: :