|
|
|
|
| |
This product is also available as a download from |
|
|
| |
|
| |
|
|
|
|
Audio Sample |
 |
|
|
|
|
|
Available From: Monday, May 10, 2004 |
|
Sir Charles Mackerras, one of the world’s leading experts on Janácek’s music, conducts this new recording of Jenufa, her step-daughter.
Jenufa was first performed in Janácek’s home town of Brno. Twelve years later it was produced in Prague and the composer was forced to accept cuts and reorchestration of the score to soften the work’s savage impact. It was only this year, on the occasion of the opera’s centenary, that Brno was able to hear the music as the composer intended. It is this version which appears on this set.
Jenufa is the warmest and most lyrical of Janácek’s operas, and is the ideal starting place for anyone wishing to explore this great opera composer.
The recording boasts a distinguished cast list. The two leading characters are performed by singers who have previously appeared on important recordings for Chandos – Janice Watson as Ellen in the Grammy-Award winning Peter Grimes, and Dame Josephine Barstow as Marie in the universally acclaimed Wozzeck.
|
Jenufa, Janácek’s first theatrical masterpiece, is the tragedy of two women – Jenufa, the vain and impulsive young rural beauty, and Kostelnicˇka, her severe, religious and forceful stepmother – entwined in the consequences of their emotions. The work is based on a story by Gabriela Preissová, whose short stories and dramas of Moravian village life were among the first Czechoslovakian works of ‘kitchen sink’ realism and the story on which Jenufa is based, Her Foster-daughter, caused something of a scandal when it was first published in 1890. It is a grim tale of Jenufa, a village girl whose illegitimate child is murdered by her stepmother to protect Jenufa’s honour and wedding prospects.
Janácek was a late developer and was already in his early forties when he began work on the opera. Eight years elapsed between the writing of the first and second acts. There are still hints of traditional romantic opera in the early scenes, though Janácek’s unique musical world is apparent from the opening bars. By the time the curtain opens on the second act, however, there is no doubt that we are in the presence of a theatrical master craftsman. The opening notes – an abrupt fortissimo chord and a shuddering string tremolo – plunge us into the claustrophobia of the Kostelnicˇka’s cottage. The emotional intensity of this act brings to mind the mature operas of Puccini and it is fascinating to think of the young Tuscan and the Moravian working simultaneously on dramas which focus on young women abandoned by the fathers of their new-born children. What separates Jenufa and Madame Butterfly, though, is Janácek’s total lack of sentimentality. This, along with the severe conclusion, proved too much for his contemporaries, and he was forced to accept cuts and reorchestrations to soften the impact of the original.
|
Reviews
|
|
'The recording is based on the acclaimed production of Jenufa from Welsh national Opera, which means that both singers and players have a knowledge and obvious affection for the score from the inside adding to the sense of a live performance.'
The Guardian 'Classical CD of the Week'
|
|
''It's an extremely effective performance of a marvellous work, and packs a powerful punch.''
Opera Now
|
|
''This should not be the only Jenufa in your collection, but after listening to it the Czech original' will be clearer and more meaningful.''
American Record Guide
|
|
''The English translation comes across with great immediacy, with Mackerras tailoring Janácek's sometimes over-effusive orchestration in favour of the singers, who acquit themselves with all the dramatic involvement and vocal security born of long stage experience.''
The Telegraph
|
|
''It will always be something of a special case, given that it's in English. But for sheer immediacy and clear comprehensibility this is a remarkable achievement. More to the point, the whole performance is outstandingly idiomatic, thrillingly sung and played, and conducted with absolute mastery.''
International Record Review
|
|
''In the hands of that master Janácek conductor, Sir Charles Mackerras, this Englsih-language recording puts a finger on the work's pulse: it's a truly magnificent performance.''
Gramophone 'Editor's Choice'
|
|
'Classical CD of the Week
'The recording is based on the acclaimed production of Jenufa from Welsh national Opera, which means that both singers and players have a knowledge and obvious affection for the score from the inside adding to the sense of a live performance.''
The Guardian
|
|
'…a truly magnificent achievement.'
Gramophone ‘Editor’s Choice’
|
|
|
|
