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Cat. No. CHAN 10455 Price: £0 No. of discs: 1
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CHAN 10455 - Grainger: Transcriptions for Wind Orchestra
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CD available From: 01 March 2008
     
 Percy Grainger (1882-1961)
     
      premiere recording in this version
1 Angelus ad Virginem (1942) 1:55
      by Anonymous (thirteenth century)
      from Chosen Gems for Winds
      Edited by Barry Peter Ould
      Liltingly
     
      premiere recording
2 Ballade No. 17 (1937) 2:11
      by Guillaume de Machaut (c. 1300-1377)
      from Chosen Gems for Winds
      Edited by Keith Brion and Barry Peter Ould
      Lyrically, with slow gentle lilt
     
      premiere recording
3 La Bernardina (1943) 1:16
      Canzone in three parts
      by Josquin des Prez (c. 1450/1455-1521)
      from Chosen Gems for Winds
      Edited by Barry Peter Ould
      Flowingly
     
4 Prelude in the Dorian Mode (1941) 4:17
      Tiènto del Segundo Tono
      by Antonio de Cabezón (c. 1510-1566)
      from Chosen Gems for Winds
      Edited by Keith Brion and Michael Brand
      Flowingly - Coda. Somewhat lingeringly, gradually slowing to the end
     
      premiere recording
5 The Four Note Pavan (1940) 3:06
      No. 13 from Consort Music to the Viols in 4, 5 and 6 parts
      by Alfonso Ferrabosco II (c. 1575-1628)
      from Chosen Gems for Winds
      Edited by Barry Peter Ould
      Stately, yet with a grave playfulness, and wit the lilt of a slow dance
     
      premiere recording in this version
6 Five-Part Fantasy No. 15 (1937-41) 3:16
      A Five Tone-Strand Fantasy for Viols
      by John Jenkins (1592-1678)
      Scored from the original Viol manuscript
      by Arnold Dolmetsch (1858-1940)
      from Chosen Gems for Winds
      Edited by Stephen Carpenter
      Lively, but sustained (not energetic)
     
7 March (1946) 1:31
      March, BWV Anh. 122
      from Clavierbüchlein II for Anna Magdalena Bach (1725)
      by Johann Sebastian Bach (1685-1750)
      now attributed to Carl Philipp Emanuel Bach (1714-1788)
      as interpreted by Arnold Dolmetsch
      from Chosen Gems for Winds
      Edited by Kees Kramer and Barry Peter Ould
      Fast marching speed
     
      premiere recording
8 See what His love can do (1937) 3:02
      'Seht, was die Liebe tut', aria for tenor
      from Cantata, BWV 85 Ich bin ein guter Hirt (1725)
      by Johann Sebastian Bach
      from Chosen Gems for Winds
      Edited and realised by Barry Peter Ould
      Larghetto
     
9 O Mensch, bewein' dein' Sünde groß (1936-42) 3:38
      Chorale prelude, BWV 622
      from Das Orgelbüchlein (1713-15)
      by Johann Sebastian Bach
      from Chosen Gems for Winds
      Edited by Keith Brion and Michael Brand
      Slowly flowing - Più lento
     
      premiere recording in this version
10 Hungarian Fantasy (1959) 16:38
      Fantasie über ungarische Volksmelodien, S 123, R 458 (1849-52)
      by Franz Liszt (1811-1886)
      Edited by Barry Peter Ould
      Andante mesto - Adagio -
 Ivan Hovorun piano
     
11 Chorale No. 2 (1942) 11:47
      from Trois Chorals (1890)
      by César Franck (1822-1890)
      from Chosen Gems for Winds
      Edited by R. Mark Rogers
      Maestoso - Largamente, con fantasia -
     
12 Tuscan Serenade (1937) 2:49
      'Sérénade toscane', Op. 3 No. 2 (?1878)
      by Gabriel Fauré (1845-1924)
      from Chosen Gems for Winds
      Edited by Keith Brion and Luis Maldonado
      Andante con moto quasi Allegretto - Più mosso - Tempo I
     
13 Folk-Tune (1942) 2:33
      No. 1 from Two Ballades, Op. 38 (1924)
      by Sir Eugene Goossens (1893-1962)
      from Chosen Gems for Winds
      Molto tranquillo e con moto - Rallentando al fine
     
      premiere recording in this version
14 Down Longford Way (1935) 2:08
      No. 2 from Four Musical Sketches (1928)
      by Katharine Parker (1886-1971)
      Edited and realised by Barry Peter Ould
      Slowly but flowing (Andante) - Molto rallentendo al fine
      60:51
 Ivan Hovorun piano
 Royal Northern College of Music Wind Orchestra
 Clark Rundell
 Recorded in:
 Studio 7, New Broadcasting House, Manchester
      1 and 2 April 2007
 Producer(s)
 Brian Pidgeon
 Sound Engineer(s)
 Don Hartridge
 Tom Parnell (Assistant)
 Format: Digital CD 16Bit 44.1Khz
Originally recorded in: 24 Bit / 48k

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