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CD available From: 15 June 2012 |
| | Antonin Dvorak (1841-1904)
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| 1 | Carnival, Op. 92 (B 169) | 9:00 | | | Scottish National Orchestra |
| | | | (CHAN 9002 - download only) | | | | Johan Halvorsen (1864-1935)
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| | | | Mélodie de Ole Bull (1810-1880) | | | | Bergen Philharmonic Orchestra |
| 3 | Slavonic Dance in E minor, Op. 72 (B 147) No. 2 | 5:28 | | | Scottish National Orchestra |
| | Gustav Mahler (1860-1911)
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| 4 | Nun seh' ich wohl, warum so dunkle Flammen | 4:51 | | | | | No. 2 from Kindertotenlieder | | | | Linda Finnie mezzo-soprano |
| | Scottish National Orchestra |
| | | | (CHAN 9545 - download only) | | | | Franz von Suppe (1819-1895)
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| 5 | March from 'Fatinitza' | 2:45 | | | Royal Scottish National Orchestra |
| | Johannes Brahms (1833-1897)
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| 6 | Hungarian Dance No. 19 in B minor | 2:21 | | | | | Orchestrated by Antonín Dvorák | | | | London Symphony Orchestra |
| | Ferruccio Busoni (1866-1924)
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| 7 | Finale from 'Tanwalzer', Op. 53 | 4:07 | | | Giovanni Bolzoni (1841-1919)
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| | Detroit Symphony Orchestra |
| | Zoltan Kodaly (1882-1967)
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| 9 | Intermezzo from 'Hary Janos Suite' | 5:01 | | | Laurence Kaptain cimbalom |
| | Chicago Symphony Orchestra |
| | Maurice Ravel (1875-1937)
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| | | | Poème chorégraphique pour orchestre | | | | Detroit Symphony Orchestra |
| | Johan Severin Svendsen (1840-1911)
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| | | | Studie zu Tristan und Isolde | | | | | | Arrangement of No. 5 from Fünf Gedichte für eine Frauenstimme ('Wesendonck Lieder') by Richard Wagner | | | | Bergen Philharmonic Orchestra |
| | Richard Strauss (1864-1949)
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| | | | No. 4 from Vier Lieder, Op. 27 | | | | Scottish National Orchestra |
| 13 | Bojarernes Indtogsmarsch | 4:30 | | | | | (Entry March of the Boyars) | | | | Bergen Philharmonic Orchestra |
| | Carl Maria von Weber (1786-1826)
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| 14 | Jubel-Ouverture, Op. 59 (J 245) | 7:41 | | | Richard Wagner (1813-1883)
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| 15 | Huldigungsmarsch, WWV 97 | 5:16 | | | | | Orchestrated by the composer and Joachim Raff (1822-1882) | | | | Royal Scottish National Orchestra |
| | Dimitri Shostakovich (1906-1975)
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| 1 | Festive Overture, Op. 96 | 5:52 | | | Scottish National Orchestra |
| | Duke Ellington (1899-1974)
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| | | | Transcribed for strings by Morton Gould (1913-1996) | | | | Detroit Symphony Orchestra |
| | Samuel Barber (1910-1981)
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| 3 | The School for Scandal, Op. 5 | 8:55 | | | Detroit Symphony Orchestra |
| 4 | Adagio for Strings, Op. 11 | 8:43 | | | | | Arrangement of the second movement from the String Quartet | | | | Detroit Symphony Orchestra |
| | William Grant Still (1895-1978)
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| 5 | Third movement, Animato, from Symphony No. 1 'Afro-American' | 3:05 | | | Detroit Symphony Orchestra |
| 6 | Finale, Cantando espressivo, from Five Pieces | 4:21 | | | Scottish National Orchestra |
| | Sergey Prokofiev (1891-1953)
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| 7 | Waltz, Scene 4 (Act II), from 'The Tale of the Stone Flower', Op. 118 | 3:38 | | | Scottish National Orchestra |
| | Serge Rachmaninoff (1873-1943)
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| | | | No. 14 from Fourteen Songs, Op. 34 | | | | | | Arranged for voice and orchestra | | | | Scottish National Orchestra |
| 9 | Lyric Waltz from Ballet Suite No. 1 | 2:19 | | | Scottish National Orchestra |
| 10 | Tea for Two (Tahiti Trot), Op. 16 | 3:32 | | | | | Orchestration of the song by Vincent Youmans (1898-1946) | | | | Scottish National Orchestra |
| | Alexander Scriabin (1872-1915)
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| | Scottish National Orchestra |
| | Pyotr Ilyich Tchaikovsky (1840-1893)
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| Three movements from the incidental music to 'The Snow Maiden', Op. 12 | 9:49 | | 13 | 7 | Second Song of Lei | 1:25 | | 15 | 13 | Jester's Dance | 4:22 | | | Irina Mishura-Lekhtman mezzo-soprano |
| | Detroit Symphony Orchestra |
| | Format: Digital CD 16Bit 44.1Khz Originally recorded in: 24 Bit Remaster |
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