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CD available From: 17 June 2002 |
Great Operatic Arias, Vol. 9 - Andrew Shore
| | Gaetano Donizetti (1797-1848)
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| 1 | Dulcamara's Cavatina from The Elixir of Love | 7:56 | | | | | 'Attention! Attention! You country folk!' | | | | | | (Udite, udite, o rustici) | | | | | | with Geoffrey Mitchell Choir | | | 2 | Nemorino and Dulcamara's Recitative and Duet from The Elixir of Love | 8:04 | | | | | 'Good doctor, beg your pardon' - | | | | | | 'It was Tristan who employed it' | | | | | | (Voglio dire . . . lo stupendo elisir) | | | | | | with Barry Banks (Nemorino) | | | 3 | Adina and Dulcamara's Duet from The Elixir of Love | 7:09 | | | | | 'With a look of love and laughter' | | | 4 | Act II finale from The Elixir of Love | 2:35 | | | | | 'It will give you cheeks like peaches' | | | | | | (Ei corregge ogni difetto) | | | | | | with Mary Plazas (Adina), Barry Banks (Nemorino), and Ashley Holland (Belcore), Geoffrey Mitchell Choir | | | | | | from CHAN 3027(2) The Elixir of Love | | | | Gioachino Rossini (1792-1868)
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| 5 | Bartolo's Aria from The Barber of Seville | 6:39 | | | | | 'Dare you offer such excuses' | | | | | | (A un dottore della mia sorte) | | | | | | from CHAN 3025(2) The Barber of Seville | | | 6 | Isabella and Taddeo's Duet from The Italian Girl in Algiers | 8:00 | | | | | 'All the changes in my fortune' - | | | | | | 'Ah, yes, as friends united' | | | | | | (Ai capricci della sorte) | | | | | | with Della Jones (Isabella) | | | | | | from CHAN 3049 Great Operatic Arias with Della Jones | | | | Wolfgang Amadeus Mozart (1756-1791)
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| 7 | Leporello's Catalogue Aria from Don Giovanni | 5:54 | | | | | 'Look here: this not so little volume' - | | | | | | 'Pretty lady, I have something to show you' | | | | | | (Madamina, il catalogo è questo) | | | | | | from CHAN 3057(3) Don Giovanni | | | 8 | Malatesta and Pasquale's Duet from Don Pasquale | 2:52 | | | | | 'She'll be here by midday' - | | | | | | 'Quite unexpectedly passions inflame me' | | | | | | (Un foco insolito, mi sento addosso) | | | | | | with Jason Howard (Malatesta) | | | 9 | Pasquale and Norina's Duet from Don Pasquale | 5:50 | | | | | 'Well good evening! You're in a hurry' | | | | | | (Signorina, in tanta fretta) | | | | | | with Lynne Dawson (Norina) | | | 10 | Malatesta and Pasquale's Duet from Don Pasquale | 10:05 | | | | | 'Ah brother . . . a living corpse is standing here before you' | | | | | | (Cognato, in me vedete un morto che cammina) | | | | | | with Jason Howard (Malatesta) | | | | | | from CHAN 3011(2) Don Pasquale | | | | Giuseppe Verdi (1813-1901)
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| 11 | Honour Monologue from Falstaff | 4:55 | | | | | from CHAN 3079(2) Falstaff | | | | London Philharmonic Orchestra |
| | English National Opera Orchestra |
| | | | 7-11 February 1999 (tracks 1-4), 12-16 March 2000 (track 6), 22-27 August 2000 (track 7), 15, 17, 18, 20 & 21 November 1997 (tracks 8-10), & 27 May-3 June (track 11); Goldsmiths College, London; 9-14 August 1994 (track 5) | | | | Jonathan Cooper (Falstaff) |
| | Michael Common (Mastering) |
| | Format: Digital CD 16Bit 44.1Khz
Originally recorded in: 24Bit 96Khz |
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