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CD available From: 20 May 2002 |
Opera - The Abduction from the Seraglio
| | Wolfgang Amadeus Mozart (1756-1791)
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| | | | The Phoenix Opera production of | | | The Abduction from the Seraglio | 133:84 | | | | | Comic opera in three acts | | | | | | Libretto by G. Stephanie from a play by C.F. Bretzner | | | | | | Texts of musical numbers translated by Joan Cross and Anne Wood | | | | | | English dialogue translated and adapted by Hugh Mills | | | 2 | | 'Here surely I must find her' | 2:39 | | 3 | | 'Constanza, my beloved' | 0:13 | | 4 | | 'You may think you've found a maiden' | 2:34 | | 5 | | 'The devil take you and your song, sir' | 4:18 | | 6 | | 'There - I got rid of him' | 0:31 | | 7 | | 'These young men who go a-spying' | 5:06 | | 8 | | 'Ouf! Thank God he's gone' | 2:14 | | 9 | | 'Constanza! Constanza!' | 0:33 | | 10 | | 'Oh what trembling, oh what passion' | 4:26 | | 11 | | 'They're coming, sir, they're coming' | 0:19 | | 12 | | 'Sing to the mighty Pasha Selim' | 1:35 | | 13 | | 'Always so sad, my beloved' | 0:50 | | 14 | | 'How I loved him, I was happy' | 5:43 | | 15 | | 'Pasha Selim, I'll be your slave' | 2:44 | | | | | Constanza, Selim, Pedrillo, Belmonte | | | 16 | | 'March, march, march, off you go' | 2:18 | | | | | Osmin, Belmonte, Pedrillo | | | 17 | | 'Tra-la-le-ra. Tra-la-le-ra' | 0:42 | | 18 | | 'With smiles and kind caresses' | 3:51 | | 19 | | 'Gentleness! Kindness!' | 1:09 | | 20 | | 'I'm going, but mark what I say' | 1:08 | | 21 | | 'O Englishmen you must be crazy' | 1:17 | | 23 | | 'Ah, there's Constanza' | 0:15 | | | | | No. 10: Recitative and Aria | | | 24 | | 'Oh what sorrow overwhelms my spirit' | 2:12 | | 25 | | 'Endless grief tortures my spirit' | 6:24 | | 1 | | 'Señorita, try - try - not to lose hope' | 0:58 | | | | | Blonda, Constanza, Pasha Selim | | | 2 | | 'Tortures unrelenting may for me be waiting' | 8:56 | | 3 | | 'She shows no signs of weakening' | 0:28 | | 4 | | 'Blonda? Come here, quickly' | 0:48 | | 5 | | 'Oh, the happy, happy day' | 2:50 | | 6 | | 'Any sign of Osmin?' | 0:42 | | 7 | | 'Now Pedrillo, now for battle!' | 3:19 | | 8 | | 'What do you want?' | 1:32 | | 9 | | 'Here's to Bacchus, long live Bacchus' | 2:01 | | 10 | | 'What do you say, brother Osmin?' | 1:16 | | | | | Pedrillo, Osmin, Belmonte | | | 11 | | 'Belmonte! Is it possible' | 0:10 | | 12 | | 'When our hearts are overflowing' | 4:53 | | 13 | | 'Ah, Belmonte, ah my dear one!' | 2:54 | | | | | Constanza, Belmonte, Pedrillo, Blonda | | | 14 | | 'And yet within my heart' | 2:00 | | | | | Belmonte, Constanza, Pedrillo, Blonda | | | 15 | | 'I will. Ah, blame me not . . .' | 1:35 | | | | | Belmonte, Pedrillo, Constanza, Blonda | | | 16 | | 'If men mistrust our honour' | 4:29 | | | | | Constanza, Blonda, Belmonte, Pedrillo | | | 17 | | 'Love, only love, can now direct me' | 6:36 | | 18 | | 'Ah, Pedrillo! Is everything well?' | 0:32 | | 19 | | 'In Moorish lands a maiden fair' | 3:01 | | 20 | | 'Look,she's opening the window' | 1:33 | | | | | Pedrillo, Belmonte, Blonda, Osmin, Constanza | | | 21 | | 'My triumphant hour's approaching' | 3:25 | | 22 | | 'What does all this mean?' | 3:27 | | | | | Pasha Selim, Osmin, Constanza, Belmonte | | | | | | No. 20: Recitative and Duet | | | 23 | | 'What dreadful fate conspires against us' | 2:42 | | 24 | | 'You must suffer for my rashness' | 3:32 | | 25 | | 'Then my life I gladly offer' | 3:02 | | 26 | | 'Guards! Bring in the two slaves!' | 2:36 | | | | | Osmin, Pedrillo, Belmonte, Blonda, Pasha Selim, Constanza | | | | | | No. 21: Vaudeville and Chorus | | | 27 | | 'Your noble mercy passes measure' | 2:47 | | | | | Belmonte, Constanza, Blonda, Pedrillo, Osmin | | | 28 | | 'The nobelman despises vengeance' | 1:03 | | | | | Constanza, Blonda, Belmonte, Pedrillo | | | 29 | | 'Pasha Selim, live for ever' | 1:22 | | | David Kelsey speaking part - Pasha Selim |
| | Mattiwilda Dobbs soprano - Constanza |
| | Jenifer Eddy soprano - Blonda |
| | Nicolai Gedda tenor - Belmonte |
| | John Fryatt tenor - Pedrillo |
| | The Bath Festival Orchestra |
| | Abbey Road Studios, London |
| | | | 6-15 October & 22 December 1967 | | | | Format: Digital CD 16Bit 44.1Khz Originally recorded in: 24 Bit Remaster |
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