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'Both pieces are written in the slow idiom so characteristic of Kancheli: they are slow moving, tonally rooted, laconic, deeply reflective, unworldly yet touched by the ‘inner’ qualities of the folk music of his native Georgia. Alexader Ivashkin’s warmly toned cello (a 1710 Guarneri) sings most movingly. This is refined playing; a tendency to understate gives Ivahskin’s performance the qualities of inwardness and fragility that seem to me wholly appropriate. Valeri Polyansky and the Russian State Symphony Orchestra meet him on exactly the same footing.'
International Record Review |
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