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'Paul Daniel, as usual, delivers focus and energy in these performances. He brings out a great deal of harmonic, orchestral, and contrapuntal detail, but momentum never falters; not even in the highly elastic flow of the Improvisationís final pages from the Concerto fantasia. The BBC Philharmonic is fully alive to the colouristic demands of each work, notably in the sharply accented string writing of the Bacchanal and the rich, constantly shifting orchestral textures of the elegy. Margaret Fingerhut has the technical and colouristic demand to do full justice to the Concerto Fantasia'
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