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What
the critics say |
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Mieczyslaw
Karlowicz Gramphone
Disc of the Month May 2004 BBC
Music Magazine Disc of the Month April 2004 'Gianandrea
Noseda brings the same level off devotion to this unfamiliar music as
did Yan Pascal Tortelier in Vol 1 (CHAN
9986), with the BBC Philharmonic, as so often, giving
the impression that is has been playing it all its life. The strings
shine in the Serenade while the brass come to the fore in the more grandiose
passages of the Symphony.' 'He's
[Karlowicz] best known for his symphonic poems, but Noseda gives the
premiere recording of Karlowicz's only symphony, an early programmatic
work that is a masterly synthesis of Richard Strauss and Tchaikovsky
(think of the Fifth). The fillers are both even earlier - and equally
well caught.' 'Charming
and worth investigating.' |
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Andrea Gabrieli
'Anyone who is
smitten with the muscial traditions of this most fascinating of all
cities, should not hesitate to buy this record.' 'This is a recording
which plugs a gaping hole in our knowledge of the Italian madrigal with
music of fabulous richness. Together with their recent recording of
music by Thomas Tomkins this new release marks a real maturing of I
Fagiolini's talent. It's also a good day for Andrea Gabrieli - frankly,
no one ever suspected his secular stuff was anywhere near this good.
This is quite simply one of the most enthralling madrigal antholgies
on the market.' 'This is 'the first
recording to cover the whole range of [Andreas'] secular vocal output',
and a very welcome addition to the discography.' |
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Sergey
Vasil’yevich Rachmaninov 'Alexander Ivashkin
and Rustem Hayroudinoff are both players in the great Russian virtuoso
tradition, and in the Sonata the piano flourishes all come over with
the necessary brilliance, while Ivashkin's tone is strong enough to
sail above the most elaborate accompaniments. They're helped by excellent
recorded sound, full and well defined. It's obvious that both players
are strongly committed to the music.' |
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The Berkeley Edition, Volume 3
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Ernest
John Moeran 'The
Cello Concerto was written for Peers Coetmore who was to become his
wife. Raphael Wallfisch's playing makes the neglect of this glorious
piece all the more astonishing.' |
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Leonard
Bernstein 'Jamie
Bernstein has reworked the narration written by her father, adding to
the work's frenetic complexity, which registers powerfully in this recording.
Fans of heart-on-sleeve Berntsein will enjoy bold versions of his Chichester
Psalms and Missa Brevis.' |
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Johannes Brahms 'Albrecht's
performance with the Danish Choir and Orchestra may be less polished
than Sinopoli's DG version, but it is markedly warmer and more idiomatic...' 'These
receive lovely performances, beautifully sung and played and firmly
shaped, in a sympthetic ambience.' |
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Ernest
John Moeran '...it
is a toe-tapper of palpable joy.' |
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Sir
John Blackwood McEwen 'This
attractive program, easy on the ear, will please all British music lovers.' |
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Sir
Geoge Dyson 'There
are so many magnificent moments that space does not permit comment on
every section. Suffice it to say that the soloists are all in great
voice, the choral work is superb and Hickox draws sublime playing from
the orchestra. This CD is required listening for all lovers of English
choral music.' 'The
performance does Dyson proud: Hickox is rather good at this kind of
thing, and his soloists and choruses are generally reliable... and Chandos
has given them good sound... enthusiastically recommended.' 'It's
hard to imagine Quo Vadis getting a better performance than it
receives here… The four soloists share a directness of approach that
aptly serves Dyson's metaphysical rhetoric: elevated but not pretentious.
Conductor Richard Hickox surely deserves credit for this, as he does
for beautifully balanced choral work and the lustrous orchestral playing.
All of this captured by Chandos in sound that's astonishingly spacious
and detailed.' |
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Maurice Ravel 'In
terms of sound, the Snape Maltings acoustic is beautifully natural.
Indeed, on the whole, Lortie's set contains many fine accounts of individual
pieces and can be recommended.' |
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The Berkeley Edition, Volume 3
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Sir
John Blackwood McEwen 'From
the French flavours of No. 8 to the Scottish stylings of No. 15, this
is interwar British music at its very best: breathing native
tradition but fully aware of Continental developments... beautifully
played by the Chilingirians.' 'CHAN
10182 follows two other McEwen quartet discs by the excellent Chilingirian
Quartet: they sink themselves into McEwen's idiom the way others might
sink themselves into a foam-filled bath. And with equally pleasurable
results.' |
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Sir Arnold Bax 'While
I do not have a soft spot for Bax's piano idiom, I have no reservations
in recommending this excellent survey , not only ofr its comprehensiveness,
but also for the scholarly, distinguished playing of Eric Parkin. His
pedalling in the complex, orchestral washes Bax paints in masterly;
his pianism is self-effacing; quite simply he reveals Bax the composer,
not Parkin the pianist.' 'This
wonderful music ranges form the melodic and folksy to the cragginess
of the sonatas. Eric Parkin's pianism is beyond praise, and the recording
excellent. If you missed this the first time around, grab it now while
you can.' 'If
you've been attracted to Bax by Chandos' recent series of the symphonies
(CHAN
10122(5)), you'll find this a fascinating companion set.' 'Above
all it is the four Piano Sonatas, on the first two of the four CDs which
comprise this set - over-used word, I know - which are indispensible.' 'Four
CDs of well-textured, luscious, strong-willed music, its influences
ranging from Russian church bells to the emotional impact of the Great
War. Sympathetic, brilliant playing from Parkin.' |
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Alan
Opie sings Bel Canto Arias 'Opie has een
a faithful servant of opera for Britain for many years, and this sompilation
presents him in on impressive form. He dispenses firm tone, well supported
, with a ringing top, and he produces long phrases, with a legato helped
by clear enunciation which is unhampered by overstressing.' |
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Mieczyslaw
Weinberg '...Gabriel
Chmura has a demostrable feel for the fine-honed intensity which chracterizes
Weinberg's thinking. On the basis of its first instalment, the, this
traversal of his symphonies is set to be a rewarding one.' 'Weinberg
wrote 22 Symphonies, and if this disc is an indication of what is to
come, then Chandos' complete cycle will be a landmark.' 'These
are superb and passionately idiomatic performances in very good sound.' |
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The
Berkeley Edition 'The
fourth volume of the invaluable Chandos Berkeley series repeats the
successful formula of the previous issues... like the others in this
series, this is a disc to return to for ever-increasing rewards.' 'This
magnificent series devoted to the two Berkeleys continues, with operas
and solo piano music still to come. Three out of four works here are
first recordings and as in the previous three volumes there are revelations,
with Richard Hickox as the ideal interpreter in every way.' |
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Amy Beach 'The
playing of the chamber group founded by Diana Ambache is both beautiful
and distinguished.' 'Recorded
sound is warm and vibrant and the disc is thoroughly recommended for
the group's perceptive and idiomatic approach to this delicate, enchanting
music.' 'Amy
Beach's music inhabits conservative rather than progressive ground,
a universe or two removed from American contemporaries like Ives. Nevertheless
it is fine work, and it's good to welcome this excellent disc containing
two major chamber compositions together with a pair of shorter, charming
minor pieces.' 'Ambache
is a flexible ensemble, expanding to the task in hand. All these performances
are nicely accomplished and well engineered.' |