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CD available From: 01 March 2008 |
| | Percy Grainger (1882-1961)
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| | | | premiere recording in this version | | | 1 | Angelus ad Virginem (1942) | 1:55 | | | | | by Anonymous (thirteenth century) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Barry Peter Ould | | | 2 | Ballade No. 17 (1937) | 2:11 | | | | | by Guillaume de Machaut (c. 1300-1377) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Keith Brion and Barry Peter Ould | | | | | | Lyrically, with slow gentle lilt | | | 3 | La Bernardina (1943) | 1:16 | | | | | by Josquin des Prez (c. 1450/1455-1521) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Barry Peter Ould | | | 4 | Prelude in the Dorian Mode (1941) | 4:17 | | | | | by Antonio de Cabezón (c. 1510-1566) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Keith Brion and Michael Brand | | | | | | Flowingly - Coda. Somewhat lingeringly, gradually slowing to the end | | | 5 | The Four Note Pavan (1940) | 3:06 | | | | | No. 13 from Consort Music to the Viols in 4, 5 and 6 parts | | | | | | by Alfonso Ferrabosco II (c. 1575-1628) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Barry Peter Ould | | | | | | Stately, yet with a grave playfulness, and wit the lilt of a slow dance | | | | | | premiere recording in this version | | | 6 | Five-Part Fantasy No. 15 (1937-41) | 3:16 | | | | | A Five Tone-Strand Fantasy for Viols | | | | | | by John Jenkins (1592-1678) | | | | | | Scored from the original Viol manuscript | | | | | | by Arnold Dolmetsch (1858-1940) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Stephen Carpenter | | | | | | Lively, but sustained (not energetic) | | | | | | from Clavierbüchlein II for Anna Magdalena Bach (1725) | | | | | | by Johann Sebastian Bach (1685-1750) | | | | | | now attributed to Carl Philipp Emanuel Bach (1714-1788) | | | | | | as interpreted by Arnold Dolmetsch | | | | | | from Chosen Gems for Winds | | | | | | Edited by Kees Kramer and Barry Peter Ould | | | 8 | See what His love can do (1937) | 3:02 | | | | | 'Seht, was die Liebe tut', aria for tenor | | | | | | from Cantata, BWV 85 Ich bin ein guter Hirt (1725) | | | | | | from Chosen Gems for Winds | | | | | | Edited and realised by Barry Peter Ould | | | 9 | O Mensch, bewein' dein' Sünde groß (1936-42) | 3:38 | | | | | from Das Orgelbüchlein (1713-15) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Keith Brion and Michael Brand | | | | | | Slowly flowing - Più lento | | | | | | premiere recording in this version | | | 10 | Hungarian Fantasy (1959) | 16:38 | | | | | Fantasie über ungarische Volksmelodien, S 123, R 458 (1849-52) | | | | | | by Franz Liszt (1811-1886) | | | | | | Edited by Barry Peter Ould | | | 11 | Chorale No. 2 (1942) | 11:47 | | | | | from Trois Chorals (1890) | | | | | | by César Franck (1822-1890) | | | | | | from Chosen Gems for Winds | | | | | | Maestoso - Largamente, con fantasia - | | | 12 | Tuscan Serenade (1937) | 2:49 | | | | | 'Sérénade toscane', Op. 3 No. 2 (?1878) | | | | | | by Gabriel Fauré (1845-1924) | | | | | | from Chosen Gems for Winds | | | | | | Edited by Keith Brion and Luis Maldonado | | | | | | Andante con moto quasi Allegretto - Più mosso - Tempo I | | | | | | No. 1 from Two Ballades, Op. 38 (1924) | | | | | | by Sir Eugene Goossens (1893-1962) | | | | | | from Chosen Gems for Winds | | | | | | Molto tranquillo e con moto - Rallentando al fine | | | | | | premiere recording in this version | | | 14 | Down Longford Way (1935) | 2:08 | | | | | No. 2 from Four Musical Sketches (1928) | | | | | | by Katharine Parker (1886-1971) | | | | | | Edited and realised by Barry Peter Ould | | | | | | Slowly but flowing (Andante) - Molto rallentendo al fine | | | | Royal Northern College of Music Wind Orchestra |
| | Studio 7, New Broadcasting House, Manchester |
| | Format: Digital CD 16Bit 44.1Khz
Originally recorded in: 24 Bit / 48k |
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