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CD available From: 01 October 2009 |
| 1 | Seascape. Allegro ben moderato | 7:14 | | | | | from The Sea (CHAN 10012) | | | | BBC National Orchestra of Wales |
| | Benjamin Britten (1913-1976)
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| 2 | 'Come along, darling, come follow me quick!' | 2:28 | | | | | Sid and Nancy's Duet from Act II, Scene 2 of Albert Herring, Op. 39 (CHAN 10036(2)) | | | | Roderick Williams baritone |
| | Pamela Helen Stephen mezzo-soprano |
| | Ralph Vaughan Williams (1872-1958)
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| 3 | Lento - Allegro risoluto | 15:01 | | | | | from A London Symphony (Symphony No. 2) | | | | | | Original 1913 version (CHAN 9902/CHSA 5001) | | | | London Symphony Orchestra |
| | Felix Mendelssohn (1809-1847)
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| 4 | 'O rest in the Lord' | 3:30 | | | | | The Angel's Air from Part II of Elijah, Op. 70 (CHAN 8774/75) | | | | London Symphony Orchestra |
| | Franz Joseph Haydn (1732-1809)
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| | | | from Symphony No. 102 in B flat major (CHAN 0662) | | | 6 | Lento - Allegro - Grandioso (poco largamente) | 12:10 | | | | | from Symphony No. 1 in A flat major, Op. 55 (CHAN 5049) | | | | BBC National Orchestra of Wales |
| | Antonin Dvorak (1841-1904)
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| 7 | 'O moon in the velvet heavens' | 8:12 | | | | | Rusalka's Invocation to the Moon from Rusalka, Op. 114, B 203 (CHAN 10449(3)) | | | | Anne-Marie Owens mezzo-soprano |
| | Australian Opera and Ballet Orchestra |
| | Percy Grainger (1882-1961)
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| 8 | Molly on the Shore [British Folk Music Setting No. 1] | 4:00 | | | | | based on two Cork reels (CHAN 9499) | | | | Johann Nepomuk Hummel (1778-1837)
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| 9 | 'Gloria in excelsis Deo' | 3:35 | | | | | from Gloria from Mass in D major, Op. 111 (CHAN 0681) | | | 10 | Libera me (extract) | 17:56 | | | | | from War Requiem, Op. 66 (CHAN 8983/84) | | | | John Shirley-Quirk bass-baritone |
| | Choristers of St Paul`s Cathedral |
| | London Symphony Chamber Orchestra |
| | London Symphony Orchestra |
| 1 | Dance of the Spirits of Fire. Allegro moderato - Andante | 3:37 | | | | | from the Ballet from The Perfect Fool, Op. 39 (CHSA 5069) | | | | BBC National Orchestra of Wales |
| | Franz Schubert (1797-1828)
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| 2 | 'Et incarnatus est' | 6:39 | | | | | from Credo from Mass in E flat major, D 950 (CHAN 0750) | | | | Gian Carlo Menotti (1911-2007)
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| 3 | 'To this we've come' | 8:38 | | | | | from Act II, Scene 2 of The Consul (CHAN 9706(2)) | | | | Victoria Livengood mezzo-soprano |
| | Spoleto Festival Orchestra |
| | Malcolm Arnold (1921-2006)
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| | | | from Symphony No. 1, Op. 22 (CHAN 9335) | | | | London Symphony Orchestra |
| 5 | The Pilgrim in Prison | 11:30 | | | | | Act III, Scene 2 from The Pilgrim's Progress (CHAN 9625(2)) | | | | Orchestra of the Royal Opera House, Covent Garden |
| | Giuseppe Verdi (1813-1901)
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| 6 | 'Dies irae, dies illa' - 'Tuba mirum spargens sonum' | 3:45 | | | | | from Dies irae from Messa da Requiem (CHAN 9490) | | | | London Symphony Orchestra |
| | William Lloyd-Webber (1914-1982)
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| | Charles Villiers Stanford (1852-1924)
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| | | | from Songs of the Sea, Op. 91 (CHSA 5043) | | | | BBC National Chorus of Wales |
| | BBC National Orchestra of Wales |
| 9 | 'Praise to His Name!' - 'Take me away' | 4:38 | | | | | from Part II of The Dream of Gerontius, Op. 38 (CHAN 8641/42) | | | | Felicity Palmer mezzo-soprano |
| | London Symphony Orchestra |
| | | | from We Shall See Him as He Is (CHAN 9128) | | | | BBC Welsh Symphony Orchestra |
| | | | Mad Scene from Act III, Scene 2 of Peter Grimes, Op. 33 (CHAN 9447/48) | | | | London Symphony Orchestra |
| | Frederick Delius (1862-1934)
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| 12 | 'They are not long, the weeping and the laughter' | 3:28 | | | | | from Songs of Sunset (CHAN 9214) | | | | Sally Burgess mezzo-soprano |
| | Bournemouth Symphony Chorus |
| | Bournemouth Symphony Orchestra |
| | Format: Digital CD 16Bit 44.1Khz Originally recorded in: |
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