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CD available From: 07 March 2005 |
Great Arias and Ensembles from Your Favourite Operas, Volume 3
| | Georges Bizet (1838-1875)
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| 1 | Act II, Scene 2 from Carmen | 5:14 | | | | | Escamillo: 'You're most kind, and in return I toast you' (Toreador's Aria) | | | | | | Garry Magee and others/Geoffrey Mitchell Choir/Philharmonia Orchestra/David Parry | | | Act I, Scene 10 from Carmen | 4:38 | | | | | Caren: 'There's an old bar in the city' (Seguedilla) | | | | | | Patricia Bardon/Julian Gavin Philharmonia Orchestra/David Parry | | | | Wolfgang Amadeus Mozart (1756-1791)
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| 3 | Act I from The Abduction from the Seraglio | 5:02 | | | | | Belmonte: 'Constanza! Constanza!' - | | | | | | 'Oh what trembing, oh what passion' (Aria) | | | | | | Nicolai Gedda/The Bath Festival Orchestra/Yehudi Menuhin | | | | Giuseppe Verdi (1813-1901)
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| 4 | Act I, Scene 1 from Falstaff | 4:53 | | | | | Falstaff: 'Hey, page boy!' - | | | | | | 'Your honour? Vermin!' (Monologue) | | | | | | Andrew ShoreEnglish National Opera Orchestra/Paul Daniel | | | 5 | Act III, Scene from Falstaff | 2:38 | | | | | Fenton: 'From lover's lips a happy song is flying' (Aria) | | | | | | Barry Banks/Susan Gritton/English National Opera Orchestra/Paul Daniel | | | | Gaetano Donizetti (1797-1848)
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| 6 | Part One, Scene 4 from Lucia of Lammermoor | 4:55 | | | | | Luia: 'Imagine when the breezes sigh' (Duet) | | | | | | Elizabeth Futral/Paul Charles Clarke/Philharmonia Orchestra/David Parry | | | 7 | Part Two, Act I, Scene 4 from Lucia of Lammermoor | 3:30 | | | | | Edgardo: 'What restrains me at such a moment?'/ | | | | | | Enrico: 'What restrains my righteous anger?' (Sextet) | | | | | | Paul Charles Clarke/Alan Opie/Elizabeth Futral/Peter Rose/Christine Rice/Peter Wedd/Geoffrey Mitchell Choir/Philharmonia Orchestra/David Parry | | | | Giacomo Puccini (1858-1924)
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| 8 | Act II, Scene 2 from Turandot | 6:06 | | | | | Turandot: 'Within this Palace a story lives forever' - | | | | | | 'Gentle Princess Lo-u-Ling, pure, serene and so gentle' (Aria) | | | | | | Jane Eaglen/Dennis O'NeillGeoffrey Mitchell Choir/Philharmonia Orchestra/David Parry | | | 9 | Act I from Turandot | 2:32 | | | | | Lił: 'I beg you, hear me, ah my lord, I beg you!' (Aria) | | | | | | Mary Plazas/Philharmonia Orchestra/David Parry | | | | Gioachino Rossini (1792-1868)
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| 10 | from Stabat Mater | 6:25 | | | | | 'Through her soul in endless grieving' (Cujus animam) | | | | | | Barry Banks/London Philharmonic Orchestra/David Parry | | | 11 | Act II, Scene 2 from Idomeneo, King of Crete | 5:32 | | | | | Ilia: 'My father was taken' (Aria) | | | | | | Rebecca Evans/Orchestra of Opera North/David Parry | | | 12 | Act III from The Cunning Little Vixen | 4:50 | | | | | Forester: 'When evening arrives, I welcome the rays of the setting sun!' (Final Scene) | | | | | | /Orchestra of the Royal Opera House, Covent Garden/Simon Rattle | | | 13 | Act III from Aida | 3:51 | | | | | Aida: 'We'd leave this white oppressive heat' (Duet) | | | | | | Jane Eaglen/Dennis O'Neill/Philharmonia Orchestra/David Parry | | | 14 | Act II, Scene 2 from Aida | 7:28 | | | | | Populace: 'Glory to Isis, goddess fair' (Grand March from Triumphal Scene) | | | | | | Geoffrey Mitchell Choir/Philharmonia Orchestra/David Parry | | | | George Frideric Handel (1685-1759)
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| | | | 'Rejoice greatly, O daughter of Zion' (Aria) | | | | | | Bruce Ford/London Philharmonic Orchestra/David Parry | | | | Format: Digital CD 16Bit 44.1Khz
Originally recorded in: 24Bit 96Khz |
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