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'Right off the bat in the first movement of the piano concerto, the orchestral balance is so exquisite that you even hear how the violas and cellos function no matter how attractive the piano work is, you keep an ear out for the orchestra from start to finish. Part of the reason is that Brown elicits such invigorating impulse and energy from all the player orchestra and soloists. Their attacks and degrees of shading are not just upbeat but inventive.'
American Record Guide
 

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