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CHAN 3148
'Given such standards, the fact that the text is sung in English is neither here nor there... more memorable is the evident confidence of both singers that those long periods of preliminary work with the conductor were helping to ensure that they could deliver complete performances on the highest level, even in the most demanding later stages of Act III. After a thrillingly enforced Prize Song from Remedios we can marvel at the imposing yet supremely eloquent authority of Bailey, sustained into a peerless account of the final monologue. Such confidence, demonstrating unusually high levels of understanding on the part of the singer, is to be found throughout the ensemble. ...all technical issues aside – there is an extra dimension to the Sadler’s Wells recording. Haitink at Covent Garden had heart in abundance; but with Goodall there is something else – soul?'
The Wagner Journal
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