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100th anniversary of RAF

Some of the finest RAF bands on one album to celebrate

Listen here

We are hiring!

An exciting opportunity has arisen...

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Ilic: Reicha Rediscovered

Episode 3 is out now!

Watch here

 

Chart success!

Rodney Bennett's Orchestral Works Vol. 2 is at #2 (July 13)

See the full list here

Happy Birthday Neeme!

Happy Birthday to the wonderful Neeme Jarvi! 

Check out his discography here

Allan Clayton: RPS winner

Allan wins RPS 2018 Singer award - congratulations!

Order his new album here

Apple Music Curator

Hear new playlists, remember classics, discover new music.

Explore our new profile here

Juno Award Nominees

Congratulations to our Juno Award Nominees

See the list of nominees

Grammy Award Winners

Congratulations to distributed labels on Grammy wins

See the list of winners

BBC Music Magazine Awards

[Orchestral Award nomination]

See the full list of nominations

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“… Elder’s grip is total. He believes in every note of the score, shapes it carefully (no melodrama, no lurchings) and stirs the orchestra to a degree of magnificence rare even for the Hallé….” *****

“… Elder’s grip is total. He believes in every note of the score, shapes it carefully (no melodrama, no lurchings) and stirs the orchestra to a degree of magnificence rare even for the Hallé….” *****

Geoff Brown – The Times – 1 June 2018

“…Paterson’s Wotan is certainly authoritative enough, but needs a more assertive foil than Samuel Youn’s surprisingly lightweight Alberich...Clive Bayley’s fathomlessly dark Fafner, Susan Bickley’s humane Fricka and Nicky Spence’s instinctively theatrical Mime are all well worth preserving, as is the playing of the Hallé under Elder, and his unerring sense of the seamless musical architecture …” ***

“…Paterson’s Wotan is certainly authoritative enough, but needs a more assertive foil than Samuel Youn’s surprisingly lightweight Alberich...Clive Bayley’s fathomlessly dark Fafner, Susan Bickley’s humane Fricka and Nicky Spence’s instinctively theatrical Mime are all well worth preserving, as is the playing of the Hallé under Elder, and his unerring sense of the seamless musical architecture …” ***

The Guardian – 31 May 2018

“Connolly proves herself a worthy heir to Janet Baker in the lovely songs of Ireland, Moeran and Ivor Gurney, but this “garland” of 20th-century songs, superbly accompanied by Middleton as her equal partner, embraces “cycles” by the antipoles Britten and Tippett, whose Charm of Lullabies (1947) and Songs for Ariel (1962) are the meatiest items, sung with sumptuous tone, insight and perfect diction.”

“Connolly proves herself a worthy heir to Janet Baker in the lovely songs of Ireland, Moeran and Ivor Gurney, but this “garland” of 20th-century songs, superbly accompanied by Middleton as her equal partner, embraces “cycles” by the antipoles Britten and Tippett, whose Charm of Lullabies (1947) and Songs for Ariel (1962) are the meatiest items, sung with sumptuous tone, insight and perfect diction.”

Hugh Canning – The Sunday Times – 15 July 2018

“…Together, the performers on this disc are the “Solistes de la Chapelle Musicale Reine Elisabeth” in Belgium. These are young musicians, and they play with spirit and affection, and excellent teamwork… Hearing this music, one can understand why Reicha was held in such high esteem during his lifetime. This generous collection makes an excellent case for giving his music a second listen.”

“…Together, the performers on this disc are the “Solistes de la Chapelle Musicale Reine Elisabeth” in Belgium. These are young musicians, and they play with spirit and affection, and excellent teamwork… Hearing this music, one can understand why Reicha was held in such high esteem during his lifetime. This generous collection makes an excellent case for giving his music a second listen.”

Mark Novak – Fanfare – May/June 2018

“…This is a valuable addition to the hi-res recording catalog, demonstrating superb artistry from all involved.”

“…This is a valuable addition to the hi-res recording catalog, demonstrating superb artistry from all involved.”

Mark Novak – Fanfare – May/June 2018

“… All three works are designed to show off the soloist … Horwick rises to the occasion… This disc is a welcome addition to the catalog.”

“… All three works are designed to show off the soloist … Horwick rises to the occasion… This disc is a welcome addition to the catalog.”

Phillip Scott – Fanfare – May/June 2018

“… The release can be strongly recommended for outstanding playing by the Elan’s members …”

“… The release can be strongly recommended for outstanding playing by the Elan’s members …”

Jerry Dubins – Fanfare – May/June 2018

“… The fine recorded sound – rich, detailed, and immediate – offers a superb aural canvas for this fine performance… Recommended.”

“… The fine recorded sound – rich, detailed, and immediate – offers a superb aural canvas for this fine performance… Recommended.”

Ken Meltzer – Fanfare – May/June 2018

“… This music is unfailingly tuneful, colourful, genial, and delightful… Christina Simonis and the Nürnberg Symphoniker offer suave, sympathetic performances that are well recorded… cordially recommended.”

“… This music is unfailingly tuneful, colourful, genial, and delightful… Christina Simonis and the Nürnberg Symphoniker offer suave, sympathetic performances that are well recorded… cordially recommended.”

James A Altena – Fanfare – May/June 2018

“… This operetta is a rarity and, of course, a Lehár original that may not soon again see another recording. Even if it were not performed nearly so well as here, it would be highly recommended, particularly to operetta fans.”

“… This operetta is a rarity and, of course, a Lehár original that may not soon again see another recording. Even if it were not performed nearly so well as here, it would be highly recommended, particularly to operetta fans.”

Bill White – Fanfare – May/June 2018

“… As performances go, the Basel group does an excellent job, all the more interesting because it is a live performance (with the usual enthusiastic clapping at the end). Good intonation, and excellent balance between orchestra and chorus, not to mention some fine singing by the soloists, make for an attractive package.”

“… As performances go, the Basel group does an excellent job, all the more interesting because it is a live performance (with the usual enthusiastic clapping at the end). Good intonation, and excellent balance between orchestra and chorus, not to mention some fine singing by the soloists, make for an attractive package.”

Bertil van Boer – Fanfare – May/June 2018

Artistic Judgement: Excellent/Exceptional

Sound/Technical Judgement: Excellent/Exceptional         (Dynamics: 4    Soundstage: 5    Timbre: 5   Detail: 5)

Artistic Judgement: Excellent/Exceptional

Sound/Technical Judgement: Excellent/Exceptional         (Dynamics: 4    Soundstage: 5    Timbre: 5   Detail: 5)

Andrea Bedetti – Audiophile Sound magazine (Italy) – April/May 2018

Artistic Judgement: Excellent/Exceptional         Sound/Technical Judgement: Exceptional 5/5

Artistic Judgement: Excellent/Exceptional         Sound/Technical Judgement: Exceptional 5/5

Andrea Bedetti – Audiophile Sound magazine (Italy) – April/May 2018

Disc of the Month

Artistic Judgement: Exceptional       Sound/Technical Judgement: Exceptional 5/5

Disc of the Month

Artistic Judgement: Exceptional       Sound/Technical Judgement: Exceptional 5/5

Andrea Bedetti – Audiophile Sound magazine (Italy) – April/May 2018
Artistic Judgement: Excellent           Sound/Technical Judgement: Exceptional  5/5
Artistic Judgement: Excellent           Sound/Technical Judgement: Exceptional  5/5
Andrea Bedetti - Audiophile Sound magazine (Italy) - April/May 2018

"... Similar glories and limitations roll up in the first recital disc of Grace Davidson, whose pure, supple soprano has been pleasantly featured in numerous British choirs, especially the Sixteen. The voice is radiantly fresh and clean, and she successfully navigates almost all the technical perils in her programme of sacred motets by Handel and Vivaldi, spiritedly backed by another of Britain’s Academies, the Academy of Ancient Music.

"... Similar glories and limitations roll up in the first recital disc of Grace Davidson, whose pure, supple soprano has been pleasantly featured in numerous British choirs, especially the Sixteen. The voice is radiantly fresh and clean, and she successfully navigates almost all the technical perils in her programme of sacred motets by Handel and Vivaldi, spiritedly backed by another of Britain’s Academies, the Academy of Ancient Music.

Geoff Brown – The Times – 29 June 2018

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Chandos Records
Chandos House
1 Commerce Park
Commerce Way
Colchester
Essex
CO2 8HX
United Kingdom