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Cat. No. CHAN 0803 Price: 10.5 No. of discs: 1
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CHAN 0803 - Bach: Six Trio Sonatas
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Available From: 27 May 2014
Bach: Six Trio Sonatas

Bach compiled his set of six trio sonatas for organ during the late 1720s. They are thought to have been put together as training material for Bach’s son Wilhelm Friedemann and can be grouped among other pedagogical keyboard collections such as the Inventions and the Well-Tempered Clavier. They are unique, however, in transferring the typical trio sonata texture, a popular style normally played by ensemble, to a single instrument. In Bach’s originals the right and left hands take the top two parts while the pedals perform the bass line. The first movement of Sonata No. 4 was originally composed for ensemble and the unique formal and stylistic characteristics of the collection suggest that other movements, too, started life away from the organ.

Taking this on board, Tempesta di Mare Chamber Players have re-imagined these works in arrangements for ensemble, using scorings typically adopted in the performance of trio sonatas in Bach’s time. Bach was himself a serial adapter and re-arranger of his own works and this recording takes on his understanding of the musical work as a fluid entity, able to assume as many forms as there are purposes for them.

The Philadelphia-based early music ensemble Tempesta di Mare is renowned for its unique programming and championing of rarely performed works, not least through its fruitful relationship with Chandos Records.


 "... The Tempesta di Mare Chamber Players present these works in a variety of combinations made by member Richard Stone, who also performs. The instruments include recorder, baroque flute,violin, viola, cello, viola da gamba, lute and harpsichord. The sound is warm and resonant, and the larger ensembles give this music  a warmer feel... "
Todd Gorman - American Record Guide  - May/June 2015

                        ****  (Excellent Album)
Bernardo Pieri - Musica magazine (Italy) - March 2015

 “… Tempesta and Chandos have added another winning entry to their ongoing series; long may it thrive! Heartily recommended.”
James A Altena  - Fanfare – November/December 2014

 "... The ensemble performs with a nuanced sensitivity that immediately reveals te appeal of the music. The playing is energetic and purposeful, and the warm acoustic of the recording is lovely. Stone did a wonderful job with the orchestrations, which fantastically show off the diversity of the ensemble. A noticeable standout is the fourth sonata, scored here for the less common combination of lute and harpsichord, and the multitude of textures that shine forth in Sonata V are delightful.   Highly recommended."
Karen Cook - Early Music America - Winter 2014


"...The performances are highly sympathetic ... it’s an enjoyable and instructive set ... the slow movement of No 4 being worth the price of admission on its own."
Fabrice Fitch - Gramophone magazine - August 2014

“… At times organist will barely recognize this music, but there’s no harm in that. Music of such supreme genius can withstand being looked at from a wholly new perspective, and when played with such conviction as here, questions of authenticity seem wholly irrelevant.”

Marc Rochester – International Record Review – July/August 2014 


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