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Cat. No. CHAN 10662(2) Price: £10.5 No. of discs: 2
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CHAN 10662 - Liszt: The Complete Annees de Pelerinage
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Available From: 15 February 2011
Liszt: The Complete Annees de Pelerinage

The virtuoso pianist and exclusive Chandos artist Louis Lortie here performs all three books, or ‘Years’, of Liszt’s Années de Pèlerinage (Years of Pilgrimage), a work rarely recorded in its entirety. Lortie has made more than thirty recordings for Chandos, covering a repertoire from Mozart to Stravinsky. His recording of Beethoven’s ‘Eroica’ Variations won an Edison Award; his disc of works by Schumann and Brahms was judged one of the best CDs of the year by BBC Music, and his interpretations of Liszt’s complete works for piano and orchestra and of Beethoven’s complete piano sonatas were both selected as Editor’s Choice in Gramophone.

Liszt was an artist by nature. He seemed to feel and be affected by external influences far more deeply than most, and he was a master at translating these feelings into music.

The first Year of the Années de Pèlerinage, a reworking of pieces from his earlier Album d’un Voyageur, was inspired by his travels in Switzerland as a young man. In this work, the music does not depict or describe particular scenes or landscapes, rather it attempts to communicate the feeling that Liszt experienced when he saw them, his ‘strongest sensations and most lively impressions’.
‘Chapelle de Guillaume Tell’, for example, depicts a fourteenth-century Swiss hero through a broad and stately theme that quotes a Swiss Alpine horn melody with trumpet calls, echoes, and tremolos. ‘Au lac de Wallenstadt’ depicts the gently rising and retreating waves of the lake, over which Liszt places a theme of beautiful simplicity.

The second Year was inspired by the art and literature that Liszt encountered on his travels in Italy. ‘Sposalizio’  was inspired by Raphael’s painting The Marriage of the Virgin in the Brera in Milan, and ‘Il Penseroso’ by Michelangelo’s statue on the tomb of Lorenzo de’ Medici in the church of San Lorenzo in Florence.

The third and last Year of the Années de Pèlerinage was written much later, when Liszt was in his sixties, and at a time when both the man and the style of his music had undergone a vast change. The pieces show far more simplicity in the treatment of the musical components and often convey a mood of despair and stark austerity.

From the outset, Liszt knew that his Années de Pèlerinage was unlikely to appeal to the masses. In his own words, the work was ‘written for the few rather than the many – not ambitious of success, but of the approval of that minority which conceives art as having other uses than the beguiling of idle hours, and asks more from it than the futile distraction of a passing entertainment’.


     Gramophone Recommends
“Louis Lorte is spellbinding in Liszt’s evocative travel diaries.”
Bryce Morrison – Gramophone – June 2011

           Performance ****      Recording ****
“... this is an excellent set to be warmly recommended.”
Malcolm Hayes – BBC Music Magazine – May 2011

“...Les Cloches de Genève ... is about as exquisite as it gets ... A fine set...” ****
Tim Ashley – The Guardian 8 April 2011

"The three sets of Années – based on Liszt’s voyages to Switzerland and Italy - are gigantic in scope, and I would deem few pianists are able to interpret this music convincingly. Needless to say, Lortie does so brilliantly. As befits this repertoire, his approach is bold and impassioned, demonstrating a herculean technique. The Vallée d’Obermann from the first set presents technical challenges that would make the average pianist wince, but Lortie brings it off with aplomb. On the other hand, his treatment of such pieces as the Sonetto 47 and 123 from the second set, Italie, is elegantly understated. Bringing the disc to a rousing conclusion is the flamboyant Tarantella, music requiring almost superhuman powers."

Richard Haskell – Musicdata.com – 1 April 2011

               IRR Outstanding
“...Lortie is, above all, a cultivated musician, the subtlest of pianists, blessed with rich imagination. These qualities, combined with the wisdom of life experience, are everywhere evident in a deeply considered and vivid performance of this summit of Romantic piano music.”
Patrick Rucker – International Record Review – April 2011

“Complete – and completely successful - traversals of Années de Pélerinage are relatively thin on the ground. This is one of them... A superior contribution to the Liszt bicentenary ...” *****
Jeremy Nicholas – Classic FM Music Magazine May 2011

“...It takes a pianist of a very high calibre to undertake the monumental task of not only learning these pieces, but to be able to see past their extreme technical demands and expose their multi-layered facets... Canadian pianist Louis Lorte, whose many previous recordings have always been recipients of international acclaim, is of that calibre.  ...he clearly demonstrates that he and the instrument have become one.” - Jean-Yves Duperron
Classical Musical Sentinel.com    - March 2011                                          


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