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'Berkeley père and fils both experimented with serialism and atonality, but for the most part their music is in a comfortable neo-tonal idiom. Michael’s language, at least in the pieces here, is notably tamer than his father’s, without the latter’s pointed dissonances and angular melodies. In their place are dulcet harmonies and an almost uninterrupted cantabile... Chandos’s sound is clean and transparent and the notes by Andrew Burn offer helpful guidance to the pieces.'
American Record Guide


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