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About
The court of the Landgraves of Hesse-Darmstadt developed a magnificent and richly varied music culture very much standing up to comparison with larger music centers such as Hamburg and Mannheim. The Darmstadt court ensemble must have had considerable musical forces at its command. For five decades the court chapel master Christoph Graupner was the absolute ruler in this musical kingdom. This universal spirit and highly individual and original composer unfortunately receives much too little attention today. Along with the Mannheimer Hofkapelle Baroque Orchestra under the conductor Florian Heyerick and with top soloists, we at cpo have committed ourselves to changing these circumstances. Vol. 1, Das Leiden Jesu, presents recordings of three passion cantatas by Graupner. What we hear is a composer of the late Baroque who (like his friend Telemann) participated in a perennial quest for new expressive options – which brings genuine pleasure! The key to his personal style is found in his delight in experimentation and his incredibly individual instrumentation technique. Graupner fascinates us not so much with compelling »melodies« as with intensive playing with the various tone colors made available to him by the energetic members of the court ensemble and their instruments.
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Reviews
"... In short, this is an excellent disc that demonstrates both the originality of Graupner's late works for the Easter season, as well as the fine performance by the ensemble, which seems perfect for this music..."
Bertil van Boer - Fanfare - Jan/Feb 2018
"... The performance is universally excellent."
Peter Loewen - American Record Guide - March/April 2018
**** Excellent Album
Lorenzo Tozzi - Musica magazine (Italy) - December 2017/January 2018
"... The woodwinds help to give the music a relaxed, spacious feel that is enhanced here by the small ensemble and a vocal group of only eight singers, including soloists. Their performances are impeccable, and the disc is superbly recorded in a clear acoustic that reveals every detail. I suppose you could argue that Graupner's music is simply too charming for texts that address Christ's suffering, but I found this a fascinating and seductive disc." *****
Graham Lock - Early Music Today magazine - September-November 2017
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