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ELECTRONIC MUSIC PRODUCED AT DIEM 1987-2012

ANKER FJELD SIMONSEN

Mimesis tragedie

4:34

Solo: Anker Fjeld Simonsen Soloist

JONAS R. KIRKEGAARD

802

2:27

Solo: Jonas R. Kirkegaard Soloist

DANIEL ROTHMAN

Southwest Sky

10:58

Solo: Daniel Rothman Soloist

ANE OSTERGAARD

Hyper Motel

2:39

Solo: Ane Ostergaard Soloist

CARL BERGSTROM-NIELSEN

Omdrejninger II

7:12

Solo: Carl Bergstrom-Nielsen Soloist

MORTEN RIIS

Prim X

2:59

Solo: Jonas Olesen Soloist

JENS WILHELM PEDERSEN

The Electric Gardens and their Surroundings

11:46

Solo: Jens Wilhelm Pedersen Soloist

PETER DAHLGREN

Mad Bonce

6:24

Solo: Peter Dahlgren Soloist

PER NORGARD

Arsfrise-91

5:29

Solo: Per Norgard Soloist

DAN TURELL

10.

Team Trash Intro

1:30

Solo: Halfdan E. Soloist

WAYNE SIEGEL

11.

Tunnel Vision

11:31

Solo: Wayne Siegel Soloist

BJORN SVIN

7 Cirkler i 1 Matrix

8:33

Solo: Bjorn Svin Soloist

MICHAEL NYVANG

Collage IV, Corona

5:06

Solo: Michael Nyvang Soloist

VECTRAL

AC-3

5:30

Solo: Vectral Soloist

LINE TJORNHOJ-THOMSEN

Triff

13:49

Solo: Line Tjornhoj-Thomsen Soloist

HANS HANSEN

Passaics Monumenter

8:17

Solo: Hans Hansen Soloist

JORGEN TELLER

Sparklings

3:03

Solo: Jorgen Teller Soloist

BIRGITTE ALSTED

Zu versuchen, die Fragen

16:20

Solo: Birgitte Alsted Soloist

SOFUS FORSBERG

Homework

1:58

Solo: Sofus Forsberg Soloist

RASMUS B. LUNDING

On Learning How to Kill

8:13

Solo: Rasmus B. Lunding Soloist

There are many fascinating sounds to be heard on these two CDs, though tastes will vary and you’ll have to be willing to allow your imagination free rein in some seriously abstract tracts This is a fascinating compilation of work from Denmark’s DIEM studios, and with a majority of good work, a few terrific pieces and only a few duds, this is something which stimulates and educates. I would say it also entertains, but there are few moments to which I would apply this term, and this is a world which takes itself more seriously than not. This is not a closed and intolerant environment however, and there is an openness and eclecticism to many of these composer’s approaches which allows for its own confluences and juxtapositions of influence and style; always something which gives rise to new avenues of discovery"

Dominy Clements - MusicWebInternational.com - 9 October 2012

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