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ELGAR, E.: Enigma Variations / In the South / Introduction and Allegro (Stuttgart Radio Symphony, Norrington)
SIR EDWARD ELGAR (1857 – 1934)
1.
In the South Overture, Op. 50, "Alassio"
22:40
2.
Introduction and Allegro, Op. 47
15:50
Variations on an Original Theme, Op. 36, "Enigma"
3.
Theme: Andante -
1:31
4.
Variation 1: C. A. E. (The Composer's Wife)
2:05
5.
Variation 2: H. D. S-P. (Hew David Steuart-Powell)
0:51
6.
Variation 3: R. B. T. (Richard Baxter Townshend)
1:33
7.
Variation 4: W. M. B. (William Meath Baker)
0:34
8.
Variation 5: R. P. A. (Richard Penrose Arnold) -
2:05
9.
Variation 6: Ysobel (Isabel Fitton)
1:14
10.
Variation 7: Troyte (Troyte Griffith)
1:04
11.
Variation 8: W. N. (Winifred Norbury) -
2:01
12.
Variation 9: Nimrod (A. J. Jaeger)
3:35
13.
Variation 10: Intermezzo: Dorabella (Dora Penny)
2:53
14.
Variation 11: G. R. S. (George Robertson Sinclair)
1:03
15.
Variation 12: B. G. N. (Basil G. Nevinson) -
2:57
16.
Variation 13: Romanza: *** (Lady Mary Lygon)
3:03
17.
Variation 14: Finale: E. D. U. (The Composer)
5:17
Solo: Sir Roger Norrington Conductor
Orchestra: Stuttgart Radio Symphony Orchestra
Conductor: Sir Roger Norrington
Notes
Edward Elgar’s masterly Enigma Variations are undoubtedly his most famous work of and is also the first major piece he composed. The Enigma Variations brought him international recognition and brought England back on the musical map. Elgar composed the variations in 1899. In the 13 variations and finale the composer characterizes some of his friends, identified only by their initials - so to the public, this was initially a mystery, an "enigma" as to who it was. But Elgar also spoke about a “well-known tune” which he hid in his composition, which to this date has gone undiscovered – so indeed, there is a second “enigma” as well.
In spite of whatever puzzle the composer may have intended, the work of highly effective, well structured, well orchestrated, colorful, and compelling. The symphonic study "Falstaff", rarely performed these days, was written in 1913,shortly before the outbreak of World War II. The theme is of course, Shakespeare’s Falstaff, as he appeared in "Henry IV" and his sad progress from boon companion of Prince Hal, to his lonely exile, remembering when he a heard the “chimes at midnight.”
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