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BACH, C.P.E.: Piano Works (Complete), Vol. 20 (Markovina)
CARL PHILIPP EMANUEL BACH
Keyboard Sonatina in G Major, Wq. 64/1, H. 7
1.
I. Allegro
05:31
2.
II. Andante
02:14
3.
III. Presto
00:54
4.
II. Andante (early version)
02:19
Keyboard Sonatina in G Major, Wq. 64/2, H. 8
5.
I. Allegretto
06:50
6.
II. Largo
02:18
7.
III. Allegro
00:45
8.
II. Adagio non molto (early version)
01:26
Keyboard Sonatina in A Minor, Wq. 64/3, H. 9
9.
I. Allegro
04:02
10.
II. Andante
02:06
11.
III. Presto
01:07
Keyboard Sonatina in E Minor, Wq. 64/4, H. 10
12.
I. Allegretto
05:02
13.
II. Adagio non molto
01:45
14.
III. Presto
00:51
15.
II. Largo (early version)
02:16
Keyboard Sonatina in D Major, Wq. 64/5, H. 11
16.
I. Allegro
02:59
17.
II. Andante un poco
02:34
18.
III. Allegro ma non troppo
02:16
Keyboard Sonatina in C Minor, Wq. 64/6, H. 12
19.
I. Allegretto
02:51
20.
II. Andante
02:35
21.
III. Presto
00:52
22.
II. Andante (early version)
02:06
Keyboard Sonata in F Major, Wq. 65/1, H. 3
23.
I. Allegretto
03:09
24.
II. Andante
02:55
25.
III. Presto
03:21
Keyboard Sonata in A Minor, Wq. 65/2, H. 4
26.
I. Allegro moderato
04:45
27.
II. Adagio
02:49
28.
III. Presto
02:37
Keyboard Sonata in D Minor, Wq. 65/3, H. 5
29.
I. Allegro di molto
03:10
30.
II. Andante
04:37
31.
III. Allegro assai
02:24
Solo: Ana-Marija Markovina Soloist
Notes
Throughout Carl Philipp Emanuel Bach’s works for the piano, one cannot help but appreciate his craftsmanship, his complete mastery of composition and his daring and joyful spirit. His style is extremely diverse and original; on one side, he extends elements of the Baroque style further, but at the same time, he moves boldly into the future. It is known that Haydn, Mozart and Beethoven diligently studied his music and were inspired by its inventiveness, harmonic finesse, the unorthodox contrapuntal elegance and richness of surprises.
This is a unique publication in commemoration of the Carl Philipp Bach Year and is the best opportunity to meet the multi-faceted CPE Bach. Pianist Ana-Marija Markovina has been playing the works of the Master for over ten years and is now thoroughly versed in his style. One of the most exciting aspects of this important project is Mrs.Markovina’s choice of playing on a modern Concert Grand (Bösendorfer) - an instrument that is truly able to realize all of the subtle dynamic shadings and exquisite delicacies of these extraordinary works. A truly impressive interpretation and an extraordinary accomplishment!
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