Chrysalis: Cello works by Haydn, Couperin and Monn Classical Orchestral & Concertos Linn Records

LN 0562

Chrysalis: Cello works by Haydn, Couperin and Monn

Label Catalogue Number:
CKD 562

Running Time: 58:11

Digital UPC: 0691062056229

Release Date: January 2018

Composer
François Couperin

Composer
Georg Matthias Monn

Composer
Franz Joseph Haydn

Solo cello
Corinne Morris

Orchestra
Scottish Chamber Orchestra

Genre:
Classical
Orchestral & Concertos

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FRANÇOIS COUPERIN

Pièces en Concert

01.

I. Prélude

2:12

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02.

II. Siciliène

2:24

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03.

III. La Tromba

1:26

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04.

IV. Plainte

5:43

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05.

V. Air de diable

1:43

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GEORG MATTHIAS MONN

Cello Concerto in G Minor

06.

I. Allegro

6:37

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07.

II. Adagio

7:08

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08.

III. Allegro non tanto

4:54

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FRANZ JOSEPH HAYDN

Cello Concerto No. 1 in C Major, Hob. VIIb:1

09.

I. Moderato

10:17

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10.

II. Adagio

9:09

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11.

III. Allegro molto

6:38

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Solo: Corinne Morris cello

Orchestra: Scottish Chamber Orchestra

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Notes

This evocatively titled recording reflects Corinne’s inspirational journey through a career-halting injury and back out the other side.

An invitation to perform with the renowned Scottish Chamber Orchestra in summer 2016 revealed an instant rapport; Corinne’s recording partner was secured. Chrysalis marks Corinne’s return to form, as she takes centre stage in concertos by Monn and Haydn plus Couperin’s Pièces en Concert.

Corinne returns to Monn’s original notes for her performance of the concerto made famous by Jacqueline Du Pré. In staying true to the composer’s intentions Corinne creates a purposeful and stylistic journey towards the Haydn Concerto. Overcoming the technical challenges presented by the Haydn concerto is of particular significance for the indomitable cellist. The personalized cadenzas are a fitting representation of her inspirational return to her virtuosic best.

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Reviews

“… Morris is in good form and the orchestra backs her with sensitivity …”

David Moore – American Record Guide – March/April 2018

“...In Morris's hands, these miniatures spring to life and have a sparkle that is captivating...an attractive and well-recorded programme of Baroque and Classical repertory...”

Joanne Talbot – The Strad – January 2018

“...exciting interpretations ...”

Remy Franck – Pizzicato magazine – November 2017

“...The playing is beautiful too. Morris, directing the graceful SCO from her cello, brings a beautifully smooth, darkly glowing tone and immense lyricism to all three works...”

Charlotte Gardner – Gramophone magazine – November 2017

“... altogether an hour’s worth of Baroque quality.”

The Herald – 28 October 2017

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