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EFRAIN AMAYA
Constellations
01.
Act I, Scene 1: Opening
1:29
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02.
Act I, Scene 1: This is what we needed
2:10
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03.
Act I, Scene 1: Nothing is perfect Pi
3:18
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04.
Act I, Scene 1: You go Pi. Le me be
1:44
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05.
Act I, Scene 2: This solitary town!
5:02
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06.
Act I, Scene 2: Who is here?
5:39
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07.
Act I, Scene 3: I must work, work, work!
2:33
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08.
Act I, Scene 3: Jo, are you still awake?
1:13
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09.
Act I, Scene 3: What's next?
2:27
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10.
Act I, Scene 4: Pi! Pi! Are you awake?
1:37
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11.
Act I, Scene 4: What turmoil the devils cause in the poor soul!
2:35
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12.
Act I, Scene 4: O so much! I do pray!
1:27
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13.
Act I, Scene 4: Where to begin?
2:15
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14.
Act I, Scene 5: Pi! Where did you hide my brushes?
2:06
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15.
Act I, Scene 5: The clouds, dark, and those nocturnal creatures!
1:27
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16.
Act I, Scene 5: I don't know! I could be fighting!
2:11
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17.
Act I, Scene 5: Life must go on!
2:29
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18.
Act I, Scene 6: How do I look?
2:57
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19.
Act I, Scene 6: Ahem! You are not sleeping my friend nor working?
2:13
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20.
Act I, Scene 6: The grief!
1:11
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21.
Act I, Scene 6: May I suggest?
2:05
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22.
Act II, Scene 1: I see you have been painting at last
1:32
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23.
Act II, Scene 1: Oh, you're thinking I'm crazy
1:49
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24.
Act II, Scene 1: I must keep working now
2:34
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25.
Act II, Scene 1: Certainly not, not now!
1:39
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26.
Act II, Scene 1: I think her function is completed
1:50
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27.
Act II, Scene 2: Pi, my child
2:27
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28.
Act II, Scene 2: Tessa! Are you with me?
3:18
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29.
Act II, Scene 2: Trust me, I know from a very good source
2:49
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30.
Act II, Scene 2: Pi? Oh, I'm a bit disconcerted
1:12
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31.
Act II, Scene 2: It's fine, forget what I said
1:30
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32.
Act II, Scene 2: So much amazement
0:54
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33.
Act II, Scene 2: Pi, a quick question
1:24
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34.
Act II, Scene 3: One more layer to shed
1:44
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35.
Act II, Scene 3: What is it? Jo, are those explosions?
2:25
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36.
Act II, Scene 3: "Let nothing disturb thee"
1:14
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37.
Act II, Scene 3: They're bombing the village!
1:45
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Solo: Dan Kempson baritone
Solo: Raquel Winnica Young mezzo-soprano
Solo: Sarah Shafer soprano
Orchestra: Arts Crossing Chamber Orchestra
Conductor: Efraìn Amaya
Notes
Constellations, with music by Efraín Amaya and libretto by Susana Amundarain, is a chamber opera inspired by the life and work of Spanish artist Joan Miró. American composer and conductor Efraín Amaya was born in Venezuela, where he began his musical studies. A graduate of Indiana University and Rice University, Amaya has served on the faculty at Carnegie Mellon where he conducted the Carnegie Mellon Contemporary Ensemble. His compositions have been performed around the world at international festivals. He is currently on the faculty at Minot State University and conducts the Minot Symphony Orchestra. Recordings of his music appear on the Albany Records and Oberlin Music Record labels.
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Reviews
“… it [Constellations] has purpose and honesty, with craftsmanship and genuine musicality to back it up. And those things go a long way toward a successful opera.”
Andrew Desiderio – Fanfare – July/August 2021
“… The music is mostly tonal, with beautiful vocal writing (especially for Pi) and instrument writing that imparts a sense of wonder or deep feeling. The Arts Crossing Chamber Orchestra gives fine (though not flawless) performances and the singers are all excellent. Sound is very good…”
Nathan Faro – American Record Guide – May/June 2021
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