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About
The three composers whose works appear on this album are interconnected: Ravel was a mentor to Lennox Berkeley, and Berkeley to Pounds. Le Tombeau de Couperin marks Ravel’s movement towards neoclassicism, its forms and style a re-invention of ones from the French baroque. Originally written for solo piano, the movements of the suite were dedicated to friends whom Ravel had lost in the First World War. In 1919 he orchestrated four of the six movements (the version performed here). Berkeley met Ravel a number of times in the 1920s, working as an interpreter and tour-guide whilst Ravel was in London. Ravel advised him to study with Nadia Boulanger, which he did, between 1926 and 1932. Commissioned by Sir Arthur Bliss for the BBC Symphony Orchestra in 1942, the Divertimento initially received a mixed reception, but has since found many supporters (including Pounds). The critic Peter Dickinson felt it showed an ‘instinctive and unimpassioned creativeness associated with the French aesthetic, but by no means restricted to it’. Adam Pounds studied privately with Berkeley in London during the late 1970s, and in his own music has perpetuated the firm commitment of the two earlier composers to clarity and accessibility in everything they wrote. His Third Symphony was written in 2021 and is a response to the national lockdowns in 2020 and 2021 prompted by the Covid-19 pandemic. Pounds states that the piece captures the ‘sadness, humour, determination and defiance’ which everyone faced at this time – not least musicians. Scored for relatively modest orchestral forces, the work is dedicated to Sinfonia of London and John Wilson who here give the work its world première recording.
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Reviews
“… The works here are all well recorded and beautifully played. Wilson’s tempos are brisk but never rushed. In the Minuet of the Ravel, he indulges in a fuller emotional expression that further enhances the music.”
Don O’Connor – American Record Guide – September/October 2024
“…Throughout this disc, we must salute the commitment of the musicians of the excellent Sinfonia of London under the expert baton of John Wilson. The “Chandos quality” sound makes every aspect of this orchestral music exciting and admirable.”
Pierre-Jean Tribot – Crescendo – 19 March 2024
Performance *** Recording ****
Geoff Brown – BBC Music magazine – April 2024
“… It [Pounds Symphony] is thrilling on disc and would be doubly so live. The symphony is dedicated to these performers, and I am sure the composer could not have wished for better champions. The liner notes by Mervyn Cooke are detailed, very readable … The recorded sound is up to Chandos’ usual, improbably high standards.”
Paul R W Jackson – Musicwebinternational.com – 7 March 2024
“…The performances, authoritative and satisfying, are complimented by an outstanding sound recording… This noteworthy disc explores three fulfilling works by composers interconnected by pedagogical history.”
John France – Musicwebinternational.com – 19 February 2024
“… the symphony [Pound’s Third] as a whole is certainly worth experiencing – especially in a performance as scrupulously prepared and committed as this one… a sumptuously engineered programme that to my mind merits investigation …”
Andrew Achenbach – Gramophone magazine – March 2024
“…The repertoire is chosen carefully, but is all clearly stuff Wilson loves, and the crafting of the releases, from preliminary scholarly research to the performances and engineering in the studio, shows artistry and musicianship of the first rank…”
Bernard Hughes – theartsdesk.com – 10 February 2024
“…The three composers share a dedication to clarity in their writing, and find their perfect interpreters in Wilson and the Sinfonia of London, who luxuriate in Ravel’s wondrous Le Tombeau de Couperin and make a persuasive case for Pounds’s third symphony in this world premiere recording. Berkeley’s Divertimento of 1943 is the real find …” ****
Dan Cairns – The Sunday Times (Culture magazine) – 4 February 2024
“… The gem on this new recording is a sensitive and nuanced performance of Ravel’s Le Tombeau de Couperin, already well represented on disc but here given a performance that is among the most imaginative…”
Barry Forshaw – cdchoice.co.uk – 5 February 2024
“…Ravel’s Le tombeau de Couperin – played with impeccable virtuosity and a sense of weightless clarity … Berkeley’s Divertimento (1943) is an elegant, many-faceted work, with French accents, worthy of a place in the mainstream. The album is completed with a premiere recording, the Symphony No 3 by Adam Pounds (2021)… dedicating it to Wilson and the Sinfonia. Emotional, melancholic, persuasive, the symphony has a swirling waltz (second movement) and an acknowledged debt to Bruckner. Chandos’s commitment to Wilson and the Sinfonia of London, and their chosen repertoire, deserves celebration.”
Fiona Maddocks – The Guardian – 3 February 2024
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