“… the song transcriptions are – like the Violin Sonata – absolute winners. Müller-Schott has chosen a quintet of unrelenting dark songs but this is apt for such an acutely dramatic programme. All five songs are astonishingly beautiful, but my favourite is ‘Den Forældrelose’ (‘The Orphan’), with a Schubertian richness that the musicians play with mesmeric profundity.”