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About
After the huge success of her first album for Alpha, Crazy Girl Crazy (Alpha 293), which received a Grammy Award, a JUNO Classical Award in Canada, the Preis der Deutschen Schallplattenkritik, FFFF in Télérama and DIAMANT in Opéra Magazine and was BBC Music Magazine CD of the Month, Barbara Hannigan is back with her long-time collaborator, the Dutch pianist and great interpreter of twentieth-century music Reinbert de Leeuw, for a recital exploring the roots of modern music, with the composers who left their mark on the turn of the twentieth century: Hugo Wolf (Mignon Lieder), Arnold Schoenberg (Vier Lieder Op.2), Anton Webern (Fünf Lieder nach Gedichten von R. Dehmel), Alexander Zemlinsky (selected lieder), Alma Mahler (Die stille Nacht etc.) and Alban Berg (Sieben frühe Lieder). From what has been called the Second Viennese School, an incredible mix of musicians, painters, writers and other artists frequenting salons and cafés, a completely new musical language was born. Barbara Hannigan is especially fond of this repertory and has long championed it. Of course, we think of Berg and his unforgettable Lulu: ‘The artist who sings’, as journalists often like to describe her, embodies this music with her legendary dramatic sense, making each of these lieder a story in itself, even a mini-opera .
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Reviews
***** (Exceptional Album)
Roberto Brusotti - Musica magazine (Italy) – November 2018
***** (Exceptional Album)
Jeremie Bigorie - Classica magazine (France) - November 2018
“… Hannigan and her pianist, Reinbert de Leeuw, collaborate seamlessly to create a magical sound-world. Her voice has a surprising richness, almost voluptuous, in Schoenberg and Berg, but she adopts a far more blanched tone for Webern… What could become drowsy or blowsy is given a clean and elegant reading, a real case of intelligent performance proving that less really can be more.” *****
Francis Muzzu – Classical Music magazine – November 2018
Performance **** Recording ****
"...Hannigan's luminous voice perfectly suits this music. She conveys the uneasy, almost unhinged feel of the fin de siècle not only in her lyric singing, but also in her crooning, swooping, sliding, whispering and weeping. Reinbert de Leeuw matches her with his delicate touch, and his sens of layering in the carefully terraced accompaniments..."
Natasha Loges - BBC Music magazine - Christmas Issue 2018
Classical Album of the Week
“… Hannigan’s voice wraps itself lovingly around these vocal lines, savouring every chromatic morsel … she conveys the fragility of this music with such perfect tact, and De Leeuw measures the accompaniments so precisely, leaving their unresolved dissonances hanging in space, that a whole expressive world seems perfectly evoked.” ****
Andrew Clements – The Guardian – 28 September 2018
“Hannigan’s recital focuses on a repertoire that reflects the decaying of certainties as the First World War loomed… Hannigan and de Leeuw command this mysterious, disturbingly shaded and sensual music with aptly teasing restraint.”
Stephen Pettitt - The Sunday Times (Culture magazine) – 16 September 2018
Vocal Recital Category Nominee
ICMA Award Nominations 2019
Winner for Classical Vocal Album of the Year
JUNO Awards 2019
Nominee in Recital Category
2019 Gramophone Award Nominee
Media Downloads
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