“… The D major Concerto, No 16 (K451) opens the proceedings … She (Huangci] revels in the fingery brilliance of the faster music, investing this opening movement with a nervous energy, but also deploying a range of touches and articulations that respond acutely to Mozart’s quicksilver changes of mood. That combination of perceptiveness and technical command easily places this among the most enjoyable recent recordings of this repertoire. The opening movement of the B flat Concerto, No 15 (K450), bubbles infectiously, and finales are gleefully buoyant and spirited…”