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SPECIAL OFFER
Explore the outstanding BIS Records catalogue - Gramophone Record Label of the Year - and save 25%!
Offer ends 12.00 GMT 12th January 2024
SPECIAL OFFER
Explore the outstanding BIS Records catalogue - Gramophone Record Label of the Year - and save 25%!
Offer ends 12.00 GMT 12th January 2024
SPECIAL OFFER
Explore the outstanding BIS Records catalogue - Gramophone Record Label of the Year - and save 25%!
Offer ends 12.00 GMT 12th January 2024
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Notes
Masaaki Suzuki and his Bach Collegium Japan made their first recording of the St Matthew Passion in March 1999. Twenty years later, in April 2019, it was time once again, as the singers and players gathered in the Concert Hall of the Saitama Arts Theater in Japan. ‘A profound joy’ is how Masaaki Suzuki describes his emotion at the opportunity to record Bach’s great fresco of Christ’s Passion for a second time. And this time, he and his ensemble have brought with them into the concert hall a profound and collective familiarity with Bach’s choral music, after having recorded more or less all of it in the meantime, including the complete sacred cantatas. For his Evangelist, Suzuki has selected the young German tenor Benjamin Bruns, making his first appearance on BIS. Among the other soloists are familiar names including Carolyn Sampson, Damien Guillon, Makoto Sakurada and Christian Immler.
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Reviews
Nominee in Baroque Vocal Category
International Classical Music Awards 2021
Nominee in the Choral category
Gramophone Classical Music Awards 2020
***** Choc de cœur
Philippe Venturini - Classica magazine (France) - April 2020
Recommended
“…The soloists (instrumental and vocal) on this recording are all strong. Of note must be the newly-constructed organ (for use in the continuo) … What a rich, rounded, full and impressive organ sound it is. It, too, has an immediacy and directness in the all-important continuo, but also a delectable ampleness elsewhere and is played by Suzuki's son Masato. The vocal principals, too, are excellent in every way. Tenor Benjamin Bruns’s Evangelist is outstanding. His is a rich, sonorous and colourful voice. He aptly varies his tone according to circumstance… one is struck by passion, compassion, regret, anger, joy, horror, and ultimately by resignation as Bruns articulates them…. The Saitama Arts Theatre Concert Hall in Tokyo is a different venue to that used for Suzuki’s cantata cycle. It’s spacious and open without being too cavernous; it gives just the right sense of occasion, and sponsors excellent projection of soloists, chorus and instrumentalists. The SACD format, engineered by the experts at BIS serves only to enhance the sense of the depth of the recorded sound stage. There are almost 90 complete recordings of the St Matthew Passion in the current catalogue. This one must now be considered as standing proud near the very top; it is heartily recommended without hesitation.”
Mark Sealey – Musicweb-International.com – 8 March 2020
Performance **** Recording ****
Paul Riley – BBC Music magazine – April 2020
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