Recommended
“…The soloists (instrumental and vocal) on this recording are all strong. Of note must be the newly-constructed organ (for use in the continuo) … What a rich, rounded, full and impressive organ sound it is. It, too, has an immediacy and directness in the all-important continuo, but also a delectable ampleness elsewhere and is played by Suzuki's son Masato. The vocal principals, too, are excellent in every way. Tenor Benjamin Bruns’s Evangelist is outstanding. His is a rich, sonorous and colourful voice. He aptly varies his tone according to circumstance… one is struck by passion, compassion, regret, anger, joy, horror, and ultimately by resignation as Bruns articulates them…. The Saitama Arts Theatre Concert Hall in Tokyo is a different venue to that used for Suzuki’s cantata cycle. It’s spacious and open without being too cavernous; it gives just the right sense of occasion, and sponsors excellent projection of soloists, chorus and instrumentalists. The SACD format, engineered by the experts at BIS serves only to enhance the sense of the depth of the recorded sound stage. There are almost 90 complete recordings of the
St Matthew Passion in the current catalogue. This one must now be considered as standing proud near the very top; it is heartily recommended without hesitation.”