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About
On 6 of March 2020, Bach Collegium Japan began their long-awaited 30th anniversary tour of Europe with a performance of Bach's St John Passion in Katowice, Poland. The same week Europe was becoming aware of the very stark reality of the threat posed by the new Corona virus, Covid-19. Consequently, as Masaaki Suzuki and his ensemble went on to perform in Dublin and then London, concert halls across Europe were closing down and the remaining tour dates were cancelled. Before making their return to Japan, the BCJ agreed with the Kölner Philharmonie to go ahead with the concert that had been planned, in the form of a live streaming without an audience. This meant that the ensemble had time on their hands, and the idea was born to use it for making a recording. Having received permission to use the hall of the Philharmonie for the recording, Bach Collegium Japan and BIS jointly decided to go ahead with the idea, and during a few hectic hours arrangements were made for a recording team to come to Cologne. Over the next few days, Suzuki, the BCJ and a team of soloists headed by James Gilchrist as the Evangelist, recorded Bach's rendering of the Passion of Christ, finishing just ahead of complete lockdown. Their efforts are now available as a testimony not only to the drama of Bach's score, but also to the urgency of a week when the world changed.
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Reviews
Critics’ Choice 2021 – William Gatens
American Record Guide – January/February 2022
“… There will probably never be a perfect recording of so complex a work. Elements that please one listeners may displease another. Suzuki and Bach Collegium Japan invariably present performances of the highest technical calibre by some of the finest exponents of this repertory. Readers looking for a first recording of this masterpiece could do far worse than this one.”
William J Gatens – American Record Guide – March/April 2021
Top 10 Classical Albums 2020
"... Orchestra and choir perform with sharp characterization and technical virtuosity. But ultimately it is Suzuki’s masterly pacing and keen dramatic sense that make this such a profoundly moving performance." — David McConnell
TheClassicReview.com - 16 December 2020
Nominee in Baroque Vocal Category
International Classical Music Awards 2021
Coup de Cœur
*****
Philippe Venturini – Classica magazine (France) – December 2020/ January 2021
Recommended
“A considerable achievement and a major addition to the discography of both Bach Collegium Japan and this great masterpiece.”
John Quinn – MusicWeb-International.com – 13 November 2020
“…Despite the hurried nature of the production, engineering is top-notch, and even if the bass is more pronounced this time around, there is an ideal blend of analytical clarity and warmth, both on SACD and regular stereo. No single interpretation can capture every aspect of this monumental music. But Suzuki’s latest is his finest, and belongs in the library of anyone who loves this work – urgently recommended.”
David A McConnell – theclassicreview.com – 8 September 2020
Media Downloads
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