In this third survey of their Monteverdi madrigals, I Fagiolini once again demonstrate the astonishing range of the composer’s secular art, leading us from the works of his early Mantuan maturity to the Baroque glories of his Venetian years, before returning us to the seconda pratica in Il Ballo dell’ Ingrate.
MONTEVERDI SERIES, VOLUME 3: SWEET TORMENT – I FAGIOLINI
In this their third volume of madrigals by Monteverdi I Fagiolini demonstrate the astonishing range of his secular art, leading us from the works of his early Mantuan maturity to the baroque glories of his later Venetian years, before returning us to an example of his earlier approach to the seconda pratica: the Ballo delle Ingrate. The reviewer of The Daily Telegraph commented on Volume 1 of this series: ‘Whether in impassioned monologues or ecstatic ensemble pieces, I Fagiolini’s superbly responsive singing gives this collection of some of Monteverdi’s most vividly expressive madrigals a wonderful air of emotional spontaneity.’ Offering the listener contemporary passion and scholarship, in this series I Fagiolini accept the challenge set by pre-eminent Italian groups in the repertoire. This is Monteverdi for both the seventeenth and twenty-first centuries.
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Reviews
“The performance is highly polished and well worth having”
Crawford - American Record Guide - November/December 2009
“The madrigals … are excellently performed: the singers relish the harmonic clashes in the five-voice ‘Zefiro toma’, and the vocal acting in ‘Gira il nemico’ is a delight.”
Richard Lawrence - Classic FM Magazine - September 2009
“I Fagiolini’s Monteverdi series continues with another fascinating and faultlessly executed programme of scherzo and accompanied and unaccompanied madrigals from 1605-1638. The range of effects is startling: from the dazed idée fixe of ‘T’amo, mia vita!’ (1605) to the buoyant ground bass of ‘Zefiro torna’ (1632), here brilliantly animated by chitarrone, harp and harpsichord. Most exciting, however, is the group’s reading of ‘Ballo delle Ingrate’ and Barokksolistene’s sullen dance for the dammed.”
Anna Picard - The Independent - 5 July 2009
“By exploring works that move the emotions of the listener I Fagiolini present a sumptuous selection of madrigals which demonstrate both the huge variety of Monteverdi’s musical language and the flexibility of their artistry. Even with so many recordings of Monteverdi’s works now jostling for our attention, this new release from I Fagiolini is highly desirable and reinforces what an exciting project their Monteverdi series has been so far.”
Ed Breen - MusicalCriticism.com
Performance **** Recording *****
“The experience and flair of I Fagiolini is clearly demonstrated across these styles and textures. There is beautiful solo soprano singing in ‘Ohimè, dov’è il mio \bien?, and real musical panache in the metaphorical attack by Love on the castle of the heart in ‘Gira il nemico’. Additionally, the Baroque instrumentalists under violinist Bjarte Eike add much to the Ballo della Ingrate – the high plucked strings accompanying Amore are magical, and Plutone’s magnificent bass singing is neatly supported.”
Anthony Pryer - BBC Music Magazine - August 2009
"This is the third disc in I Fagiolini’s survey of Monteverdi’s madrigals, and, with Norway’s crack Barokksolistene, the repertoire it encompasses makes for a gratifying and dramatic sequence. Love spurned, love lost, love sought – these are the themes of a programme performed by these gifted musicians with their customary flair and sensibility." ****
Geoffrey Norris - Telegraph - 8 August 2009
“Overall, Hollingworth directs a spaciously paced performance with sonorous string ritornelli from Barokksolistene, supple continuo support (including harp, organ, harpsichord and chitarrone) and simply effective solo singing from Julia Doyle (Amore), Clare Wilkinson (Venere) and Anna Crookes as an especially anguished Ingrata, returning sadly to the ‘smoke, screams and laments’ of everlasting torment. Best of all is Jonathan Sells, whose Plutone manages to be sinister, sarcastic and sepulchral all at the same time and with just the right edge to his voice…..Sells … brings exceptional richness and consistency of tone to the role. I can’t recall another performance which achieves so much with such a light touch. In such text-sensitive, emotionally rich performances this is the kind of ‘Sweet Torment’ that you never want to end … but an hour and 20 minutes is pretty good going.”
Simon Heighes - International Record Review - July/August 2009
"... A detailed Ballo delle ingrate lifts this madrigal recital above the crowd ..."
Fabrice Fitch - Gramophone - Awards Issue 2009
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