A few years after the assassination of Stradella, Pierre Bourdelot and Pierre Bonnet-Bourdelot included a story of the episode in their Histoire de la Musique in 1715, and consequently the “legend of Stradella” was born. According to the legend, Stradella had disappeared with the lover of a Venetian noble, who in response hired a band of assassins to pursue the lovers from city to city. La Susanna, an erotic oratorio here performed by Enrico Gatti, his Ensemble Aurora and Emanuela Galli in the title role, was written by Stradella in 1681 on commission from Francesco II, Duke of Modena, who was very fond of the genre. A fine summary of the oratorio’s noteworthy qualities was put forth in a letter by a gentleman who had been present at rehearsals of its first performance. He wrote that he was ‘extatic about the sinfonias, about the variety of the arias, about the exquisiteness of the recitative and about the diversity and unexpectedness of the subjects, the rarity of the basso continuo’.