This is worthy of the choral aficionado’s attention for the generously apportioned repertoire – as delightful as it is seldom performed. Delibes’s “Nymphs des bois”, Massenet’s “Oiseau des bois” from his Amaranthe songs, Ravel’s chansons, and the Saint-Saëns “Serenade” are just some of the charmers that await you. While I can’t say I love everything the Vasaris do, they are polished professionals who sing with commendable spirit. The fellows can be especially good, as you’ll hear in the Saint-Saëns “Sereande to Winter”. Ravel’s “Ronde” quivers with energy, while Massenet’s “Oiseau des bois” is sweet and flirtatious to a fault. I’m less impressed with the cool, clear soprano soloist who adds no sparkle at all to Debussy’s “Tambourin” or Ravel’s “Birds of Paradise”. A slow, stodgy Fauré “Pavane” and some forced crescendos in the Saint-Saëns “Hymns to Spring” also detract. But the good outweighs the not so good by a comfortable margin, and the repertoire is a joy."

E Greenfield - American Record Guide - March/April 2001

This is distinguished singing from a superb choir, and – for once – a programme of music by seven composert does not appear as a hodgepodge of little appeal Throughout this deeply impressive recital it is well-neigh impossible to choose one track above any other, son consistently attractive and moving are the music and the manner of the performances. The Ravel chansons, to his own texts, are brilliantly done here; Masonet’s Amaranthe songs are a real treasure, and Jeremy Filsell’s piano accompaniments are excellent.

The recordings have been carefully balanced with the occasional piano accompaniment in order to maintain the clarity of the choral writing, and the acoustic of the Great Hall of Dulwich College is well suited to this repertoire an enthusiastic recommendation for a conspicuously successful album, which is completed by good notes from David Bray."

Robert Matthew-Walker - International Records Review - February 2001