It would be such a shame to allow the fleeting glory of an exceptional boy treble’s voice to go unrecorded before nature turns it into some­thing entirely different. The clarity and inno­cent sweetness of a gifted treble can be irre­sistible, especially when there is musicality to match. Thus we are blessed to have this pleas­ant little survey of sacred and secular pieces sang by Freddy de Rivaz, a star chorister in the Cathedral Choir at St Alban’s Abbey for seven years.

Master Freddy’s impressive instrument encompasses mach of both the alto and sopra­no ranges, with exceptional vocal consistency and juicy depth of tone from top to bottom. He supports his sustained notes beautifully, and he knows how to use his youthful vibrato to add contrast to his rock-steady straight tones. He further offers an exceptional sense of pitch and more than his fair share of precocious musicianshipGuild records the pro­ceedings well and offers an acceptable booklet. Despite only 38 minutes of music, the boy tre­ble crowd should be very happy with this one. Koob - American Record Guide - July/August 2007

Freddy de Rivaz, who is now fifteen, was a treble at St Albans Abbey from 1999 until 2006 (the year this CD was recorded). Freddy’s treble voice was very beautiful: clear, pure and expressive, without sounding in any way prissy or affected. On this disc he sings an attractive programme of music While the listener will find a disc packed with lovely Performances, the highlight for me is a spine-tingling rendition of Richard Rodney Bennett’s The birds’ lament, to which I have returned again and again. While I am sometimes left cold by recordings of star trebles, this was one voice certainly worth capturing before nature took its course. Church Music Quarterly - June