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MAX REGER
(1873-1916)
Schlichte Weisen, Op. 76
6:16
1.
Waldeinsamkeit, No. 3
1:24
2.
Beim Schneewetter, No. 6
1:12
3.
Schlecht' Wetter, No. 7
1:28
4.
Friede, No. 25
2:12
RICHARD STRAUSS
(1864-1949)
Lieder
9:01
5.
Fur funfzehn Pfennige, Op. 36 No. 2
2:18
6.
Schlagende Herzen, Op. 29 No. 2
2:26
7.
Schlechtes Wetter, Op. 69 No. 5
2:16
8.
Hat gesagt, bleibt's nicht dabei, Op. 36 No. 3
2:01
HANS PFITZNER
(1869-1949)
Alte Weisen, Op. 33
14:03
9.
Mir glanzen die Augen
1:17
10.
Ich furcht' nit Gespenster
1:43
11.
Du milchjunger Knabe
1:06
12.
Wandl' ich in dem Morgentau
1:56
13.
Singt mein Schatz wie ein Fink
1:23
14.
Roschen biss den Apfel an
0:40
15.
Tretet ein, hoher Krieger
2:34
16.
Wie glanzt der helle Mond
3:24
GABRIEL FAURÉ
(1845-1924)
Lieder
9:57
17.
Les roses d'Ispahan, Op. 39 No. 4
3:20
18.
Clair de lune, Op. 46 No. 2
2:39
19.
Mandoline, Op. 58 No. 1
1:44
20.
Automne, Op. 18 No. 3
2:14
RICHARD STRAUSS
Madchenblumen, Op. 22
9:51
21.
Kornblumen
2:03
22.
Mohnblumen
1:21
23.
Epheu
3:00
24.
Wasserrose
3:27
ERMANNO WOLF-FERRARI
(1876-1948)
Quattro Rispetti, Op. 11
5:33
25.
Un verde praticello
2:05
26.
Io dei saluti
0:59
27.
E tanto c' e pericol
1:32
28.
O si che non sapevo
0:57
OTTORINO RESPIGHI
(1879-1936)
Quattro Respetti Toscani, P. 103
13:11
29.
Quando nasceste voi
3:38
30.
Venitelo a vedere
2:01
31.
Viene di la lontan
3:15
32.
Razzolan, sopra l'aia
4:17
68:29
Solo:Sarah Maeder soprano
Solo: Gérard Wyss piano
12-14 April 2010
Notes
This is a unique recital of lieder by composers who were contemporaries of one another whose music is likely to appeal to the same music-lover. Alongside relatively familiar songs by Richard Strauss and Gabriel Fauré, from whence the album takes its title, we are pleased to include rarely-heard examples from Reger, Pfitzner and Wolf-Ferrari. Sarah Maeder is a much-admired soprano who has made a special study of this repertoire, and she is excellently accompanied by the talented Gérard Wyss, to produce a recording that will be highly-prized by connoisseurs of this distinguished repertoire.
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