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Notes
Robin Ticciati's deserved reputation as one of the great Berliozian's of our age is evident on this, his second recording with the award-winning Swedish Radio Symphony Orchestra.
Ticciati has previously recorded Symphonie Fantastique, Les nuits d'été & La mort de Cléopâtre and L'enfance du Christ; the latter was named Gramophone's 'Top Choice' recording of this repertoire.
Ticciati and the SRSO are joined by the Swedish Radio Choir, a phenomenal ensemble and one of the best large-scale choruses in Europe, alongside featured soloists Katija Dragojevic mezzo-soprano, Andrew Staples tenor and Alastair Miles bass.
Roméo et Juliette was considered a pinnacle of French Romanticism and a brilliant example of Berlioz's orchestral mastery. The work is one of the most original conceptions of the nineteenth century: deftly poised between symphony and stage drama.
Robin Ticciati fully communicates the range of Berlioz's imagination; he brings an innate understanding of the romanticism of the music and succeeds in delivering a performance that is brimming with color.
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Reviews
"Ticciati's star-crossed lovers will have you all a-swoon." ****½
Clive Paget - Limelight magazine.com (Australia) - 6 January 2017
*** (Good Disc) ***(Good Sound)
Jérémie Bigorie - Classica magazine (France) - December 2015/January 2016
"... an orchestrally superb new version of Berlioz's "dramatic symphony" loosely based on Shakespeare's Romeo and Juliet. The sound pictures are precise and subtle in the "serene night", Juliet's funeral cortege, and the fizzing fireworks of the Queen Mab scherzo. The composer was very precise about the layout of his voices: here, Katija Dragojevic is a gorgeously warm mezzo, and Alastair Miles a stentorian bass in the final Serment de réconciliation ..." ****
Nicholas Kenyon - The Observer - 11 September 2016
Album of the Week
"...virtuosic and intense string-playing..."
The Sunday Times
"... This festival performance was notable for its elegance, even restraint — a feat in itself given how much Berlioz throws into the stew."
The Times
Performance ***** Recording *****
Michael Rohan Scott - BBC Music magazine - November 2016
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