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Explore the Lyrita catalogue and save 50% on downloads.
Offer ends 12.00 BST Friday 25th October
SPECIAL OFFER
Explore the Lyrita catalogue and save 50% on downloads.
Offer ends 12.00 BST Friday 25th October
SPECIAL OFFER
Explore the Lyrita catalogue and save 50% on downloads.
Offer ends 12.00 BST Friday 25th October
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About
The opera centers on the love affair of Horatio Nelson, and Emma, Lady Hamilton. Completed in 1951, it was first performed in full in 1954. The British Embassy in Naples is the scene of a birthday party for Nelson, arranged to celebrate his victory at the Nile. He appears with ‘the sadness of the world upon his lips’ and while the other guests are dancing, Nelson, with Emma Hamilton, the Ambassador’s wife, beside him, hears a servant foretell his future unhappiness. This releases the passionate feelings of the couple for each other and the conflict in their lives.
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Reviews
*** Good Album
Pierre Flinois – Classica (France) – April 2022
“… Throughout, the singers and chorus are highly capable, and it helps greatly that they’re singing in their native language. The vocal qualities of the individual solo singers contrast with each other enough to help us know who is singing most of the time… I particularly enjoyed Margaret Kingsley as Nelson’s outraged and emotionally abandoned wife (her tone firmer than that of some of the others) and Elizabeth Bainbridge as Emma’s mother. Kingsley was new to me, but Bainbridge is familiar to record collectors … The orchestra, as recorded, is a bit recessed, but comes to the fore in the instrumental interludes. Renowned conductor Elgar Howarth definitely has his finger on the work’s pulse… All in all, Berkeley’s Nelson — which I had not even known existed until this recording came to my door — reinforces my sense that many fine composers of the twentieth century have largely slid off the map because they did not cater to the obsession of many critics and academics with “the New at all cost.” … Bravo to Lyrita for doing its part in bringing important works from the recent past to new generations of listeners! ..”
Ralphe P Locke – Artsfuse.org – 18 January 2022
Critics’ Choice 2021 – Ralph Locke
American Record Guide – January/February 2022
“…We are dealing here with a most accomplished composer, who knows how to draw us in with attractive melodic material, fresh-sounding harmonies, and an orchestral fabric full of arresting figuration, combinations, and contrasts (As well as contrasting melodic lines in vocal ensembles)… The singers and chorus are highly capable, and it helps greatly that they’re singing in their native language… I particularly enjoyed Margaret Kingsley as the outraged Lady Nelson (her tone firmer than some of the others) and Elizabeth Bainbridge as Emma’s mother… The orchestra is a bit recessed, but comes to the fore in the instrumental interludes. Renowned conductor Elgar Howarth definitely has his finger on the work’s pulse…”
Ralph Locke – American Record Guide – November/December 2021
“… the BBC Symphony Orchestra outdoes itself. Elgar Howarth, known as a specialist in not entirely simple musical modernism, lights up the score and lets the listener enjoy the music even if one is not listening to the singers…The singers have a lot to offer …”
Dr Jürgen Scharwächter – klassik.com – 10 September 2021
"...Elgar Howarth is a sympathetic conductor with a fine sense of pacing... David Johnston rises to the occasion as Nelson; Eiddwen Harry scintillates as Emma; Richard Angus us a suitably baleful Hardy; Elizabeth Bainbridge is convincing as Emma's mother. In fact, there are no weak links... excellent vocal writing. And there are good tunes throughout... it deserves an enthusiastic welcome..." ***[**]
Peter Dickinson - Musical Opinion Quarterly - October/December 2021
Historical Choice
“…David Johnston leads a strong British cast, and inhabits the title role with confidence … The scene of Nelson’s death occupies only the central part of Act III, framed by orchestral interludes reflecting the Battle of Trafalgar, and is sombre and reflective. It’s the most effective part of the score, tightly conducted throughout.” ****
Martin Cotton – BBC Music magazine – October 2021
Editor’s Choice
“… With production standards high and first-rate notes, Nelson is a major rediscovery to be recommended to all fans of opera or British music in general.” ****½
Clive Paget – Limelightmagazine.com.au – 5 August 2021
Media Downloads
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