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Notes
This new Beethoven symphony cycle with Malmö Symphony Orchestra is conductor Robert Trevino’s debut release on Ondine. Trevino is one of the fastest rising young conductors and known for his fresh and vivid interpretations of both standard repertoire as well as contemporary works. Trevino is currently holding the tenures as chief conductor of the Malmö Symphony Orchestra and as music director of the Basque National Orchestra. After studies with conductors David Zinman, Seiji Ozawa and Michael Tilson Thomas, Trevino worked closely as Leif Segerstam’s assistant before making his debuts with a number of leading symphony orchestras worldwide. These Beethoven symphonies were recorded in connection with a Beethoven festival which was arranged in Malmö, Sweden in October, 2019.
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Reviews
“… This is a fine debut for Trevino …”
Steven Kruger – Fanfare – November/December 2020
Performance **** Recording *****
“… this set is very well worth having, and in excellent sound.”
Michael Tanner – BBC Music magazine – November 2020
“… Ondine’s sound is immaculately clear … Ondine’s presentation of thisset is unfussy and just right – matching precisely Trevino’s interpretations. The more I listen to these performances the more I am coming to love them …” *****
Guy Rickards – Musical Opinion Quarterly – October-December 2020
“… Captured live during Trevino’s first season at the helm of the Malmö Symphony Orchestra and recorded (and presented here) in numerical sequence, it heralds the young American baton-wielder as a Beethovenian of considerable abilities. The dominant accent is lyrical and fluid with zesty tempi, characterful playful and a pointedly employed penchant for the dramatic. Throughout, Trevino’s interpretative choices discretely accommodate lessons learned from his predecessors even while espousing an agreeable freshness all their own… Spirited vocal contributions from soprano Kate Royal, mezzo Christine Rice, tenor Tuomas Katajala, bass-baritone Derek Welton and the MSO Festival Chorus in the rousingly excitable Choral finale are lithely supported by Malmö’s impressive musicians. A deserved nod, too, for Ondine’s crisp, clear and communicative engineering.” ****
Michael Quinn – Limelightmagazine.com.au – 10 September 2020
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