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Notes
Commissioned by the Metropolitan Opera to celebrate its 100th anniversary, John Corigliano’s The Ghost of Versailles received its premiere at the Met in 1991, twelve years after it had been commissioned and eight years past the centennial season for which it had first been envisioned. Nonetheless, it was an instant success. Because of the unique situation, a large cast and extravagant orchestral forces were made available, but aside from that specific context, both John Corigliano and librettist William Hoffman conceived of Ghosts as a work of music theater that celebrates and even takes as one of its principal themes the artistic power of opera: it puts into use lavish operatic resources precisely to introduce a contemporary audience to grand opera. More particularly, a ”grand opera buffa” is what John Corigliano decided to create, to combine his love for opera buffa, with the requirements of a grand opera house, which is the Met.
The success of Ghosts resulted in many performances throughout the North-American continent in the 25 years to follow, one of which took place in February 2015 at the LA Opera, to great critical acclaim.
“It's comic and serious, entertaining and erudite, silly and thoughtful, emotional and mysterious, harrowing and uplifting, intimate and over-the-top — and the more times you see it, the more you'll find in it and the more you'll get out of it.” -Los Angeles Times
Conducted by James Conlon, the production was recorded live by the renowned Soundmirror recording company and will now be released on a splendid 2-SACD album as part of PENTATONE’s newly launched American Opera Series.
“The artists of Los Angeles Opera’s 2014 production made as compelling a case for The Ghosts of Versailles as I heard on its first night at the MET in 1991. To have that performance preserved in a recording of this quality is, for this composer, a dream come true.” - John Corigliano
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Reviews
****
Guy Rickards - Musical Opinion - April-June 2018
Winner of the Best Opera Recording Award 2017
59th Annual Grammy Award Winner
"... This is, as well as being a landmark issue, a marvelous opera, mixing buffa elements with a very large operatic experience. The plot, involving author Beaumarchais’s attempt to rewrite history and save his love, Marie Antoinette, from the guillotine, is ingenious in its mixture of past and present, bold and intimate, and the mechanics of change—revolutionary and/or nonviolent, shown in a mélange of smoke and ghostly mirrors—metaphorically speaking—make for an intriguing opera within an opera. The music, at once unsettling and nostalgically comforting, portrays these ideas with vivid communicativeness and exceptional warmth. Don’t miss this one." *****
Steven Ritter - Audiophile Audition.com - 1 September 2016
"...Now along comes this CD set from PENTATONE ... offering a spotless aural image of a remarkable series of performances taken live from the stage of the LA Opera."
ClassicsToday.com - May 2016
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