Mendelssohn’s Second Symphony “Lobgesang [Hymn of Praise]” is highly original from a conceptual point of view, with its combination of three instrumental movements, followed by a cantata with three soloists and chorus. The piece is a milestone in the history of the symphonic form, stretching the seams of the symphony genre even further than Beethoven had dared with his “Choral” Ninth. In his Lobgesang, Mendelssohn achieved nothing less than the artistic destruction of the conceptual opposition of vocal and instrumental music. Here they enter into a relationship of constructive, mutual support in the service of music. Moreover, the Biblical lyrics express Mendelssohn’s deeply-felt religiosity.
This album completes PENTATONE’s Mendelssohn Symphonies series with the NDR Radiophilharmonie and conductor Andrew Manze. After winning the Jahrespreis der deutschen Schallplattenkritik 2017 for their recording of Symphonies 1 & 3 and the positive reception of Symphonies 4 & 5, expectations are high for this final piece of the puzzle. On this album, the NDR Radiophilharmonie and Andrew Manze join forces with the NDR Chor and WDR Rundfunkchor, as well as with an excellent cast of soloists: sopranos Anna Lucia Richter and Esther Dierkes and tenor Robin Tritschler.
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Reviews
”Mendelssohn’s Symphony-Cantata, the Hymn of Praise, is given a zesty and joyful performance. Manze encourages transparent textures and clean lines.” ****
Rebecca Franks – BBC Music magazine (Brief Notes section) – October 2018
“An outstanding new recording, fit to rank with the very best of recent versions.”
Gwyn Parry-Jones – MusicWeb-International.com – 6 August 2018
“Brushing aside sentimentality and romantic pomp, this fresh, pulsating and colourful performance of Mendelssohn’s Hymn of Praise is a welcome addition to the various good performances which are available on other labels.” ****
Remy Franck – Pizzicato.lu – 23 June 2018
“… He [Manze] gives this work, part symphony, part oratorio, a coherence it has rarely achieved on disc.”
Hugh Canning – The Sunday Times (Culture Magazine) – 17 June 2018
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