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PTC5186646
Originally recorded in 2018
Classical
Opera
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Reviews
“…Aspromonte’s diamantine timbre, rich, expressive palette and outstanding care for words make her an ideal mistress of ceremonies in Monteverdi’s Orfeo, Caccini’s Euridice, Cavalli’s La Didone and the Landi.”
“… Aspromonte brings an impressive range of vocal colour to the task, on full display at moments such as the highly dramatic reading of the opening strophe of the prologue to Cesti’s L’Argia. While the bright silvery tones of her upper register are prominent features, there is also much expressive use of darker and warmer tones in these fluid and flexible accounts, packed with sensitive detail, and alive to the essential unity of words, music and meaning.”
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