

PT 6760
Mahler: Das Lied von der Erde (Live)
Label Catalogue Number:
PTC5186760
PTC5186760
Running Time: 01:00:27
Release Date: August 2020
Originally recorded in 2019
Originally recorded in 2019
Genre:
Classical
Classical
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About
Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin continue their exploration of Mahler with a new recording of Das Lied von der Erde, on which Dame Sarah Connolly and Robert Dean Smith provide the vocal contributions. Residing somewhere between symphony and song cycle, Das Lied is one of Mahler’s most profound and loved works, marking an important step in the composer’s career, as well as in his private life. Jurowski approaches the piece as Mahler’s deliberate move from a “heroic” Beethovenian model towards a more “lyrical”, Schubertian attitude. Throughout Das Lied, and particularly in the contemplative last movement, “Der Abschied (The Goodbye)”, Mahler seems to come to terms with the mortality of man while celebrating the immortal nature of Life. The Rundfunk-Sinfonieorchester Berlin has a vast PENTATONE discography. Together with their chief conductor and artistic director Vladimir Jurowski, they have recorded symphonic works from Mahler and Strauss (2017), violin concertos by Britten and Hindemith together with Arabella Steinbacher (2017), and Schnittke’s Third Symphony (2015). Robert Dean Smith featured on PENTATONE recordings of Tannhäuser (title role, 2013), Die Walküre (Siegmund, 2013), Die Meistersinger von Nürnberg (Stolzing, 2011), and Der Fliegende Holländer (Erik, 2011). Dame Sarah Connolly makes her PENTATONE debut.
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Reviews
Recommended Das Lied von der Erde Recording
Gramophone Presents Mahler 2022
Critics’ Choice 2021 – Robert Moore
American Record Guide – January/February 2022
Nominee in the Voice & Ensemble category
Gramophone Awards 2021
**** Excellent Album
Yannick Millon - Classica (France) – March 2021
Nominee in Vocal category
BBC Music Magazine Awards 2021
Gramophone Team Choice 2020
“… I’m swept away by the music’s mysticism, serenity, humour and vigour. And Sarah Connolly has never sounded better.”
Sarah Kirkup - Gramophone magazine - December 2020
****
Remy Franck – Pizzicato.lu – 6 September 2020
“… I would now assert this Jurowski and his forces have given us one of the finest ever recordings of this magnificent work… Orchestral execution throughout is superb … Jurowski unearths the essential mood and character of each movement, ensuring the emotional import of the words is heightened by the orchestral accompaniment. This, in turn, draws out readings of stirring poignancy from Smith and Connolly… Time and again, Jurowski and his players find a poignant delicacy in the music that is deeply affecting. Smith’s performance of the notoriously taxing tenor part is very fine… Pentatone’s engineers have fully mastered the difficult Berlin Philharmonie acoustic, producing a wide-ranging recording of immediacy and warmth. Excellent liner notes, including a thoughtful essay by the conductor, round out a valuable addition to the Mahler discography. Pentatone now has two of the best recordings of this work – we can only be thankful for such riches.”
David A. McConnell – theclassicreview.com – 1 September 2020
“… This recording of Das Lied von der Erde is a fine achievement.”
John Quinn – MusicWeb-International.com – 10 September 2020
“… Certainly this is an unusual release to find in these “Historically Informed Performance” times … it is one that I have no hesitation in recommending.”
Graham Williams - ClassicalCD Choice.co.uk – 30 August 2020
Recording of the Month
“This is a performance of such distinction that regardless of one’s personal view of the piece – that is, exactly how objective or subjective you want or need your Mahler to be, and whether you favour an alto or baritone voice – it must be considered a prime contender for anyone’s library… the singing voices are soloistically spotlit but rather subsumed into the orchestral sound, so we get a wonderfully subtle interplay between the many ‘voices’ in this aural canvas, with Jurowski illuminating the texture from within, as it were, with all the finesse required of a seasoned watercolourist… I cannot imagine a more revealing exposition of Mahler’s instrumental colorations. Everything stands in such sharp relief. And because there is literally nowhere to hide, the soloists of the Berlin Radio Symphony Orchestra are revealed for the outstanding artists they are… Sarah Connolly in her absolute prime here is special, no question, with a range of autumnal shades and a very personal identification with the texts that has few rivals…”
Edward Seckerson – Gramophone – September 2020
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