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Notes
Bass-baritone Adam Plachetka presents Molieri, a program of opera arias by Mozart and Salieri, together with the Czech Ensemble Baroque under the baton of Roman Válek. Thanks to fictional works such as the film Amadeus, Antonio Salieri is often scapegoated as the man who allegedly caused Mozart’s untimely death out of professional envy. Despite the fact that this is obviously not true, Salieri’s popularity has suffered from this popular myth-making, and most of his operas have sunk into oblivion. Molieri brings the two composers together, focusing on bass-8 baritone arias from their opera buffas. Famous arias from Mozart’s Da Ponte operas are heard in a completely different light when paired to excerpts from Salieri’s Falstaff, Axur, La grotto di Trofonio and La scuola de’ gelosi. It also makes clear why Salieri enjoyed such success, as well as why great composers such as Beethoven, Schubert and Liszt all wanted to study with him. Given the importance of Prague for Mozart’s operatic successes, the music fits the players of Czech Ensemble Baroque like a glove, and Plachetka possesses the optimal combination of vocal authority and agility to sing these buffo roles. Bass-baritone Adam Plachetka frequents the world’s most prestigious opera houses, and is a MET regular, equally at home in dramatic and comic repertoire. The Czech Ensemble Baroque is one of the most important period instrument ensembles of the Czech Republic, and was founded by Roman Válek in 1998. Plachetka, Válek and the ensemble all make their Pentatone debut.
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Reviews
Performance **** Recording ****
“… Adam Plachetka is a widely experienced singer, especially of the Mozart roles here, to all of which he brings a handsome, healthy tone, firm diction and a sense of character. Several arias include apt decoration and, where appropriate, his own cadenzas …”
George Hall – BBC Music Christmas magazine – Christmas 2022
“… Adam Plachetka has a wide-ranging voice, from profound bass to quite bright baritone. He can use his flexible, agile voice dramatically, without audible pressure or strain. The timbre is somewhat pithy, and the exemplary articulation leads to good text comprehensibility. This also allows him to give his best creatively, with characterful differentiations of the figures. The Czech Baroque Ensemble accompanies the singer powerfully on a solid level.” ****
Remy Franck – Pizzicato.lu – 27 October 2022
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