

STR37214
Originally recorded in November 2022
Classical
Piano
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About
Recorded in Finland, in Järvenpää near Helsinki, this disc is a tribute to five extraordinary figures in Italian music: Gian Francesco Malipiero (1882-1973), Mario Castelnuovo-Tedesco (1895-1968), Luigi Dallapiccola (1904-1975), Giacinto Scelsi (1905-1988), and Nino Rota (1911-1979); five composers whose poetic universes, although very different from one another, are permeated by a common, intense expressiveness: the same trait that runs through the works featured here and that, like a fil rouge, has oriented Sanna Vaarni along his itinerary from 1916, the date of publication of Mario Castelnuovo-Tedesco’s Raggio verde, to 1964, the year of Nino Rota’s enchanting Preludi. An itinerary that thus begins in a particular phase of Italian music, marked by great ferment and multiple initiatives aimed mostly at promoting the activity of composers, animated in those same years by a shared intent: to renew their language and draw from tradition to coin a national style. An intent that was in line with the main European trends, sometimes devoted to linguistic research but more generally driven by a burning desire to re-express traditions, folklore or, moreover, the suggestion of the antique at a time when the relationship between the present and the past was at the center of significant intellectual tensions.
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Reviews
“Variety is the keynote in this imaginative collection of Italian piano music from the first quarter of the 20th Century, played with clarity, liveliness, and scintillating tone by Finnish pianist Sanna Vaarni, at artist with high intelligence and a singing line…”
Classic Today Recommendation
Artistic Quality 10 Sound Quality 10 Overall Impression 10
“… All in all, this recording convinces all around: through a polished program and the high musical quality.”
“…Each of these composers has sought to accommodate other stylistic elements, whether twelve-tone, Eastern, impressionistic even, very occasionally, expressionistic. In addition, some sought, more than others, to reinvigorate or reabsorb antique models into their music. Each of these pieces has something to say. My own tastes are more inclined to Dallapiccola and Rota than Scelsi but one thing’s for sure; they are finely played by Sanna Vaarni in a concert studio in her native country. Finely recorded and annotated too.”
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