I wrote ³Puntasecca² during autumn 2021 for Angelica Selmo. Composed by five short movements, this suite is a reinterpretation of the violent harpsichord of the music of Falla and Ohana. Major inspiration came from some engraving catalogs of Morandi, Calandri and Franco.
This is an exercise of synthesis and clarity: the ornamentation, so typical of harpsichord music, is meant to be a crack in the engraving plate, or a mold on paper ...