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FEDERICO MOMPOU
Paisajes
13:14
(Paysages)
(Landscapes)
1.
I
La fuente y la campana (La Fontaine et la cloche)
4:03
(The Fountain and the Bell) (1942). À Carmen Bravo. Lento -
Meno lento - (Lento) - (Meno lento) - (Lento)
2.
II
El Lago (Le Lac) (The Lake) (1947). À Carmen Bravo.
4:36
Larghetto placido - Quasi cadenza - Lento - [ ] - Lento -
Tempo I - Lentement
3.
III
Carros de Galicia (Carts of Galicia) (1960). À Antonio Iglesias.
4:35
Lento - Poco più mosso - A tempo I
Variations sur un thème de Chopin
23:24
(Variations on a Theme of Chopin)
pour piano (for Piano)
A mi gran amigo Pedro Masaveu
4.
Thème. Andantino -
0:49
5.
Variation I. Tranquillo e molto amabile -
0:55
6.
Variation II. Gracioso -
0:51
7.
Variation III, para la mano izquierda / pour la main gauche. Lento -
1:15
8.
Variation IV. Espressivo - Poco più mosso -
1:49
9.
Variation V. Tempo di Mazurka -
1:14
10.
Variation VI. Recitativo - Lento -
1:51
11.
Variation VII. Allegro leggiero -
0:54
12.
Variation VIII. Andante dolce e espressivo -
2:29
13.
Variation IX. Valse -
2:06
14.
Variation X. Évocation. Cantabile molto espressive - Tranquillo -
2:44
15.
Variation XI. Lento dolce e legato - Poco più mosso sforzando -
2:39
16.
Variation XII. Galope y Epílogo. [ ] - A tempo ma più dolce -
3:41
Meno mosso ma più espressive e molto cantabile - Tempo I - Lento
Cançons i danses
45:33
(Songs and Dances) for Solo Piano
17.
I
(1921) Quasi moderato - Allegro non troppo - Decisio - Poco meno
3:05
18.
II
(1918-24) Lento - Molto amabile - Espressivo
3:05
19.
III
(1926) À Frank Marshall. Modéré - Sardana, temps de marche
3:52
20.
IV
(1928) À madame le Princesse Bassiano. Moderat -
4:02
[Un poco più mosso] - Passeig. Promenade -
21.
V
(1942) Lento liturgico - Danza (senza rigore) -
4:52
Ritmado - Semplice, cerimonioso - Tempo I, poco più mosso
22.
VI
(1942) À Arthue Rubinstein. Cantabile espressivo -
3:57
Danza. Ritmado - [ ] - Danza da capo
23.
VII
(1944) Lento - Danza (Crotchet = 160) - Meno mosso
3:03
24.
VIII
(1946) Moderato cantabile con sentimento - Danza (Crotchet = 160)
3:51
25.
IX
(1948) À Gonzalo Soriano. Cantabile espressive - Allegro
4:00
26.
X
(1953) Sobre dos Cantigas del Rey Alfonso X (Siglo XII).
3:47
À S.A.R.. la Infanta Da. Maria Cristina de Borbón Battenberg.
Larghetto molto cantabile - Danza. Amabile
27.
XI
(1961) À Rafael Puyana. Lent et majestueux - Allegro moderato -
4:22
Tempo I - Lento - Grazioso
28.
XII
(1962) À la mémoire de Léon Fargue. Molto cantabile -
3:31
Danza. Crotchet = 132
Total time: 81:58
About
Following her acclaimed début recital, Marina Staneva returns with a programme of works by the Spanish-Catalan composer Federico Mompou. The programme opens with Paisajes (Landscapes), written in 1942, 1947, and 1960. The first two pieces are dedicated to the Catalan pianist Carmen Bravo, whom Mompou met after his return from Paris to Barcelona in 1942, and subsequently married. Mompou’s Variations on a Theme of Chopin were started in 1938, but completed in 1957 upon a commission from the Royal Ballet in London for a successor to The House of Birds (a 1955 ballet which used piano pieces by Mompou orchestrated by John Lanchbery). The Chopin ballet was never produced, but the piano variations remain. The twelve Cançons i danses (Songs and Dances) were composed between 1921 and 1962, and the form for each is broadly similar: a slow ‘cançó’ (song) followed by a more animated ‘dansa’ (dance), but the pattern sometimes varies, and these pieces are anything but formulaic. Mompou intended to provide ‘a contrast between lyricism and rhythm, to avoid one collection of songs and another of dances’.
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Reviews
“… she [Staneva] makes a fine impression here. There is nothing to find fault with in her playing, which is engaging and has been recorded very well …”
Bruno Repp – American Record Guide – March/April 2024
“… Recommended …”
Raymond Tuttle – Fanfare – May/June 2024
**** Excellent Album
Gérard Belvire – Classica magazine (France) – February 2024
“…I was taken with Staneva’s playing in her début CD Slavic Roots, with piano music by Pancho Vladigerov on Chandos and equally so here. Her tone is rich and even and if her playing is occasionally a just a little forthright she clearly enjoys the subtleties of Mompou’s writing and his sudden harmonic twist and turns; his multi-layered and often quite delicate textures are balanced beautifully.”
Rob Challinor – Musicwebinternational.com - 3 January 2023
Performance **** Recording ****
“… She [Staneva] draws a deep, cushioned sound from the piano and seemingly does not see any need to sacrifice thoughtfulness for plain brilliance. She brings out the dance elements that almost always lurk in the background of the Catalonian composer’s writing… and performs with a sincerity, spaciousness, affection for the music and quiet confidence that make me eager to hear what she will do next… Recorded sound is very warm and Potton Hall’s intimate acoustic suits the music…”
Jessica Duchen – BBC Music magazine – Christmas 2023
“… She approaches everything in a dynamic way, but also relaxed, and rich in supple and convincing harmonies…. Marina Staneva recorded her album during the first two days of last April at Potton Hall in Dunwich, Suffolk, a setting with a rich sound, through which she gets her message across. After her first album for Chandos around Bulgaria, she moved into another universe and succeeded in offering this seductive second business card. We await others with interest.”
Jean Lacroix – Crescendo magazine.be – 29 October 2023
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