DALLAPICCOLA – ORCHESTRAL WORKS VOL 2

Dallapicolla was in many ways the quintessential Italian; in love with lyricism, the romantic languages of classical antiquity, Dante, Monteverdi and Verdi and yet there is a leaning towards the Austro-German legacy of Busoni, Schoenberg and Webern in seeking new modes of musical architecture. Though he came to prominence in Mussolini’s Italy Dallapiccola was a dedicated anti-Fascist in danger of his life during the Seconds World War. It is hardly surprising then that many of his works deal with themes of persecution, imprisonment, and the importance of holding on to civilised values. This latest volume in Gianandrea Noseda’s series conducting the BBC Philharmonic features the Partita which is a premiere recording with Gillian Keith soprano. Paul Watkins cello is the soloist in Dialoghi and the CD is completed with ‘Quattro Liriche di Antoni Machado’ again with Gillian Keith and ‘Three Questions with Two Answers’.

The Musica Italiana series is very close to the heart of the Principal Conductor of the BBC Philharmonic Gianandrea Noseda, and especially the music of Luigi Dallapiccola. From the moment of his appointment to the BBC Philharmonic Noseda spoke of his ambition to record the works of this twentieth-century composer.

The BBC Philharmonic has been praised in The Guardian for its performances both live (‘Noseda’s performance was both meticulous in its judgment of every shift in orchestral colour and filled with a sense of anticipatory tension. Dallapiccola’s melodies, angular yet lyrical, unwound with rapt introversion’) and in the studio (‘Noseda understands the music’s lyrical strength and fragile sound world perfectly; the playing of the BBC Philharmonic is exemplary too’).

Dallapiccola was in many respects the quintessential Italian, in love with lyricism, the Romance languages, classical antiquity, Dante, Monteverdi and Verdi. Yet a certain orientation towards Austro-German art led him to follow Busoni, Schoenberg and Webern in seeking new modes of musical architecture. Dallapiccola was to become the first significant Italian composer to embrace Schoenberg’s twelve-note method of composition. But he embraced it from a wholly Italianate direction, deriving his music from twelve-note rows but keeping them subservient to his lyrical and visionary expressive impulses. Though he came to prominence in Mussolini’s Italy, Dallapiccola was a dedicated anti-Fascist, in danger of his life during World War II. Many of his works deal with the themes of persecution, imprisonment, resistance to tyranny, the importance of holding fast to civilised values. For him, art possessed moral force; it is this, combined with the refinement and perfectionism of his technique that makes him such an abiding inspiration in a later age of cultural relativism.

In this latest volume the Partita receives its premiere recording. Gillian Keith takes the solo role in this, and in Quattro Liriche di Antoni Machado. Paul Watkins performs the solo in Dialoghi and the programme is completed with the 1962 Three Questions with Two Answers, a work thematically related to Dallapiccola’s opera Ulisse.