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Sacred Drama - The Raising of Lazarus
ANTONIO CALEGARI
(1757-1828)
premiere recording
La resurrezione di Lazzaro
78:11
The Raising of Lazarus
Sacred drama
First performed in Padua on 26 March 1779
Original score revised by Agostino Bortot
1.
Concertone (sinfonia)
7:38
2.
Chorus and Duet. Chorus: 'Morte, morte'
5:16
3.
Recitative. Christ: 'Miei fidi'
0:49
4.
Duet and Chorus. Magdalene, Martha: 'Dolce speme alfin rinasce'
2:18
5.
Recitative. Martha: 'Deh, perché mai'
1:09
6.
Aria. Martha: 'Dal cener suo risorto'
5:42
7.
Recitative. Magdalene: 'A tu che leggi in cor'
0:39
8.
Aria. Magdalene: 'Morte ingiusta'
8:22
9.
Recitative. Christ: 'Figlia, è giusto il tuo pianto'
0:51
10.
Aria. Christ: 'Figli, di voi fu scritta'
6:26
11.
Accompanied recitative. Thomas: 'Ah perché non poss'io la fonte amara'
2:56
12.
Aria. Thomas: 'Figlio di un Dio, che impera'
6:30
13.
Recitative. Magdalene: 'Ah sì, t'arrendi o padre'
2:27
14.
Cavatina. Christ: 'Queste, che innondano'
2:45
15.
Accompanied recitative. Magdalene: 'A tal vista io non reggo'
3:42
16.
Aria. Lazarus: 'Man feconda di prodigi'
6:17
17.
Recitative. Christ: 'Vieni amico al mio seno'
1:07
18.
Duet and Chorus. Magdalene: 'Piango, e nel pianto innondami'
5:47
19.
Recitative. Lazarus: 'Umana cecità'
1:28
20.
Chorus and Trio. Chorus: 'Signor, tra i sacri Cantici'
3:27
21.
Final Chorus. 'Con Cetre, e Trombe, e Cembali'
2:25
Solo:Roberta Giua soprano - Cristo
Solo: Luca Dordolo tenor - Tommaso
Solo: Rosita Frisani soprano - Maddalene
Solo: Manuela Custer contralto - Marta
Solo: Salvo Vitale bass - Lazzaro
Choral: Athestis Chorus
Orchestra: Academia de li Musici
Francesco Moi organ
Conductor:Filippo Maria Bressan
27-30 June 2000
This recording is packaged with a CD-ROM filled with information about the composer, the work and Padua, the city in which this oratorio was written.
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Reviews
‘Performance and sound are excellent. Such music can glitter; here the sound is velvety, which is much more appropriate.’
Fanfare on CHAN 0637 (Marcello)
‘Filippo Maria Bressan’s all-Italian forces five a vivid performance of this fascinating if uneven work… Recommended to any baroque enthusiast who fancies venturing off the beaten track.’
The Daily Telegraph on CHAN 0637 (Marcello)
‘Bressan’s Academia de li Musici are impressively technically secure and admirably flamboyant.’
Gramophone on CHAN 0656 (Marcello)
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