Bach: Early Cantatas, Volume 3 Chamber Chaconne

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JOHANN SEBASTIAN BACH

(1685-1750)

COMPACT DISC ONE

Erschallet, ihr Lieder, BWV 172

20:29

C major version - C-Dur-Fassung - version en ut majeur

Coro. Erschallet, ihr Lieder, erklinget, ihr Saiten!

3:37

Recitativo. Wer mich liebert, der wird mein Wort halten

0:50

Aria. Heiligste Dreieinigkeit

2:07

Aria. O Seelenparadies

4:38

Aria (Duetto). Komm, laß mich nicht länger warten

4:21

Choral. Von Gott kömmt mir ein Freudenschein

1:15

Coro. Erschallet, ihr Lieder, erklinget, ihr Saiten!

3:41

Himmelskönig sei willkommen, BWV 182

28:33

Sonata. Grave. Adagio

2:24

Coro. Himmelskönig, sei willkommen

3:28

10.

Recitativo. Siehe, ich komme. [ ] - Andante

0:42

11.

Aria. Starkes Lieben

2:51

12.

Aria. Leget euch dem Heiland unter. Largo - Andante

8:19

13.

Aria. Jesu, laß durch Wohl und Weh'

3:38

14.

Choral. Jesu, deine Passion

3:05

15.

Coro. So lasset uns gehen in Salem der Freuden

4:03

49:04

COMPACT DISC TWO

Ich hatte viel Bekümmernis, BWV 21

38:55

[First Part]

Sinfonia. Adagio assai

2:55

Coro. Ich hatte viel Bekümmernis in meinem Herzen.

4:10

Lente - Adagio - Vivace - Andante

Aria. Seufzer, Tränen, Kummer, Not. Molt'adagio

3:59

Recitativo. Wie hast du dich, mein Gott

1:25

Aria. Bäche von gesalznen Zähren. Largo - Un poc'allegro - Adagio

5:42

Coro. Was betrübst du dich, meine Seele. Adagio - Spiritoso - Adagio - [ ] - Adagio

3:39

[Second Part]

Recitativo (Dialog). Ach Jesu, meine Ruh

1:24

Aria (Duetto). Komm, mein Jesu, und erquicke

4:38

Coro. Sei nun wieder zufrieden, meine Seele

5:06

10.

Aria. Erfreue dich, Seele, erfreue dich, Herze

2:40

11.

Coro. Das Lamm, das erwürget ist. Grave - Allegro

3:11

38:55

Solo: Charles Daniels tenor

Solo: Peter Harvey bass

Chamber: Purcell Quartet

22-24 May 2007

In the glorious fugal conclusion, the single voices again seem the correct approach: the interweaving of voices and instruments (including an unusually perky oboe) is utterly beguiling. In this version the tenor does the bulk of the solo singing and Dani

International Record Review

The recorded sound fits the fresh immediacy of the performances like a glove

BBC Music Magazine

Whatever the authentic arguments, to hear three of Bach’s finest early cantatas played this way, with every line of counterpoint pristine and audible, is a profoundly moving experience, especially in performances as expert and spiritually uplifting as the

Classic FM Magazine

It is marvellous to hear a group of singers and players so at ease, such masters of the ways of chamber music. Buy it, and if you don’t have the previous volumes, buy them too

Early Music Review

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